The boys would hike far out into the Martian country. They carried odorous paper bags into which from time to time upon the long walk they would insert their noses to inhale the rich smell of the ham and mayonnaised pickles, and to listen to the liquid gurgle of the orange soda in the warming bottles. Swinging their grocery bags full of clean watery green onions and odorous liverwurst and red catsup and white bread, they would dare each other on past the limits set by their stem mothers. They would run, yelling:
“First one there gets to kick!”
They biked in summer, autumn, or winter. Autumn was most fun, because then they imagined, like on Earth, they were scuttering through autumn leaves.
They would come like a scatter of jackstones on the marble flats beside the canals, the candy-cheeked boys with blue-agate eyes, panting onion-tainted commands to each other. For now that they had reached the dead, forbidden town it was no longer a matter of “Last one there’s a girl!” or “First one gets to play Musician!” Now the dead town’s doors lay wide and they thought they could hear the faintest crackle, like autumn leaves, from inside. They would hush themselves forward, by each other’s elbows, carrying sticks, remembering their parents had told them, “Not there! No, to none of the old towns! Watch where you hike. You’ll get the beating of your life when you come home. We’ll check your shoes!”
And there they stood in the dead city, a heap of boys, their hiking lunches half devoured, daring each other in shrieky whispers.
“Here goes nothing!” And suddenly one of them took off, into the nearest stone house, through the door, across the living room, and into the bedroom where, without half looking, he would kick about, thrash his feet, and the black leaves would fly through the air, brittle, thin as tissue cut from midnight sky. Behind him would race six others, and the first boy there would be the Musician, playing the white xylophone bones beneath the outer covering of black flakes. A great skull would roll to view, like a snowball; they shouted! Ribs, like spider legs, plangent as a dull harp, and then the black flakes of mortality blowing all about them in their scuffling dance; the boys pushed and heaved and fell in the leaves, in the death that had turned the dead to flakes and dryness, into a game played by boys whose stomachs gurgled with orange pop.
And then out of one house into another, into seventeen houses, mindful that each of the towns in its turn was being burned clean of its horrors by the Firemen, antiseptic warriors with shovels and bins, shoveling away at the ebony tatters and peppermint-stick bones, slowly but assuredly separating the terrible from the normal; so they must play very hard, these boys, the Firemen would soon be here!
Then, luminous with sweat, they gnashed at their last sandwiches. With a final kick, a final marimba concert, a final autumnal lunge through leaf stacks, they went home.
Their mothers examined their shoes for black flakelets which, when discovered, resulted in scalding baths and fatherly beatings.
By the year’s end the Firemen had raked the autumn leaves and white xylophones away, and it was no more fun.
“Did you hear about it?”
“About what?”
“The niggers, the niggers!”
“What about ‘em?”
“Them leaving, pulling out, going away; did you hear?”
“What you mean, pulling out? How can they do that?”
“They can, they will, they are.”
“Just a couple?”
“Every single one here in the South!”
“No.”
“Yes!”
“I got to see that. I don’t believe it. Where they going—Africa?”
A silence.
“Mars.”
“You mean the planet Mars?”
“That’s right.”
The men stood up in the hot shade of the hardware porch. Someone quit lighting a pipe. Somebody else spat out into the hot dust of noon.
“They can’t leave, they can’t do that.”
“They’re doing it, anyways.”
“Where’d you hear this?”
“It’s everywhere, on the radio a minute ago, just come through.”
Like a series of dusty statues, the men came to life.
Samuel Teece, the hardware proprietor, laughed uneasily. “I wondered what happened to Silly. I sent him on my bike an hour ago. He ain’t come back from Mrs. Bordman’s yet. You think that black fool just pedaled off to Mars?”
The men snorted.
“All I say is, he better bring back my bike. I don’t take stealing from no one, by God.”
“Listen!”
The men collided irritably with each other, turning.
Far up the street the levee seemed to have broken. The black warm waters descended and engulfed the town. Between the blazing white banks of the town stores, among the tree silences, a black tide flowed. Like a kind of summer molasses, it poured turgidly forth upon the cinnamon-dusty road. It surged slow, slow, and it was men and women and horses and barking dogs, and it was little boys and girls. And from the mouths of the people partaking of this tide came the sound of a river. A summer-day river going somewhere, murmuring and irrevocable. And in that slow, steady channel of darkness that cut across the white glare of day were touches of alert white, the eyes, the ivory eyes staring ahead, glancing aside, as the river, the long and endless river, took itself from old channels into a new one. From various and uncountable tributaries, in creeks and brooks of color and motion, the parts of this river had joined, become one mother current, and flowed on. And brimming the swell were things carried by the river: grandfather clocks chiming, kitchen clocks ticking, caged hens screaming, babies wailing; and swimming among the thickened eddies were mules and cats, and sudden excursions of burst mattress springs floating by, insane hair stuffing sticking out, and boxes and crates and pictures of dark grandfathers in oak frames—the river flowing it on while the men sat like nervous hounds on the hardware porch, too late to mend the levee, their hands empty.
Samuel Teece wouldn’t believe it. “Why, hell, where’d they get the transportation? How they goin’ to get to Mars?”
“Rockets,” said Grandpa Quartermain.
“All the damn-fool things. Where’d they get rockets?”
“Saved their money and built them.”
“I never heard about it.”
“Seems these niggers kept it secret, worked on the rockets all themselves, don’t know where—in Africa, maybe.”
“Could they do that?” demanded Samuel Teece, pacing about the porch. “Ain’t there a law?”
“It ain’t as if they’re declarin’ war,” said Grandpa quietly.
“Where do they get off, God damn it, workin’ in secret, plottin’?” shouted Teece.
“Schedule is for all this town’s niggers to gather out by Loon Lake. Rockets be there at one o’clock, pick ‘em up, take ‘em to Mars.”
“Telephone the governor, call out the militia,” cried Teece. “They should’ve given notice!”
“Here comes your woman, Teece.”
The men turned again.
As they watched, down the hot road in the windless light first one white woman and then another arrived, all of them with stunned faces, all of them rustling like ancient papers. Some of them were crying, some were stern. All came to find their husbands. They pushed through barroom swing doors, vanishing. They entered cool, quiet groceries. They went in at drug shops and garages. And one of them, Mrs. Clara Teece, came to stand in the dust by the hardware porch, blinking up at her stiff and angry husband as the black river flowed full behind her.
“It’s Lucinda, Pa; you got to come home!”
“I’m not comin’ home for no damn darkie!”
“She’s leaving. What’ll I do without her?”
“Fetch for yourself, maybe. I won’t get down on my knees to stop her.”
“But she’s like a family member,” Mrs. Teece moaned.
“Don’t shout! I won’t have you blubberin’ in public this way about no goddamn—“
His wife’s small sob stopped him. She dabbed at her eyes. “I kept telling her, ‘Lucinda,’ I said, ‘you stay on and I raise your pay, and you get two nights off a week, if you want,’ but she just looked set! I never seen her so set, and I said, ‘Don’t you love me, Lucinda?’ and she said yes, but she had to go because that’s the way it was, is all. She cleaned the house and dusted it and put luncheon on the table and then she went to the parlor door and—and stood there with two bundles, one by each foot, and shook my hand and said, ‘Good-by, Mrs. Teece.’ And she went out the door. And there was her luncheon on the table, and all of us too upset to even eat it. It’s still there now, I know; last time I looked it was getting cold.”
Teece almost struck her. “God damn it, Mrs. Teece, you get the hell home. Standin’ there makin’ a sight of yourself!”
“But, Pa ... ”
He strode away into the hot dimness of the store. He came back out a few seconds later with a silver pistol in his hand.
His wife was gone.
The river flowed black between the buildings, with a rustle and a creak and a constant whispering shuffle. It was a very quiet thing, with a great certainty to it; no laughter, no wildness, just a steady, decided, and ceaseless flow.
Teece sat on the edge of his hardwood chair. “If one of ‘em so much as laughs, by Christ, I’ll kill ‘em.”
The men waited.
The river passed quietly in the dreamful noon.
“Looks like you goin’ to have to hoe your own turnips, Sam,” Grandpa chuckled.
“I’m not bad at shootin’ white folks neither.” Teece didn’t look at Grandpa. Grandpa turned his head away and shut up his mouth.
“Hold on there!” Samuel Teece leaped off the porch. He reached up and seized the reins of a horse ridden by a tall Negro man. “You, Belter, come down off there!”
“Yes, sir.” Belter slid down.
Teece looked him over. “Now, just what you think you’re doin’?”
“Well, Mr. Teece ... ”
“I reckon you think you’re goin’, just like that song—what’s the words? ‘Way up in the middle of the air’; ain’t that it?”
“Yes, sir.” The Negro waited.
“You recollect you owe me fifty dollars, Belter?”
“Yes, sir.”
“You tryin’ to sneak out? By God, I’ll horsewhip you!”
“All the excitement, and it slipped my mind, sir.”
“It slipped his mind.” Teece gave a vicious wink at his men on the hardware porch. “God damn, mister, you know what you’re goin’ to do?”
“No, sir.”
“You’re stayin’ here to work out that fifty bucks, or my name ain’t Samuel W. Teece.” He turned again to smile confidently at the men in the shade.
Belter looked at the river going along the street, that dark river flowing and flowing between the shops, the dark river on wheels and horses and in dusty shoes, the dark river from which he had been snatched on his journey. He began to shiver. “Let me go, Mr. Teece. I’ll send your money from up there, I promise!”
“Listen, Belter.” Teece grasped the man’s suspenders like two harp strings, playing them now and again, contemptuously, snorting at the sky, pointing one bony finger straight at God. “Belter, you know anything about what’s up there?”
“What they tells me.”
“What they tells him! Christ! Hear that? What they tells him!” He swung the man’s weight by his suspenders, idly, ever so casual, flicking a finger in the black face. “Belter, you fly up and up like a July Fourth rocket, and bang! There you are, cinders, spread all over space. Them crackpot scientists, they don’t know nothin’, they kill you all off!”
“I don’t care.”
“Glad to hear that. Because you know what’s up on that planet Mars? There’s monsters with big raw eyes like mushrooms! You seen them pictures on those future magazines you buy at the drugstore for a dime, ain’t you? Well! Them monsters jump up and suck marrow from your bones!”
“I don’t care, don’t care at all, don’t care.” Belter watched the parade slide by, leaving him. Sweat lay on his dark brow. He seemed about to collapse.
“And it’s cold up there; no air, you fall down, jerk like a fish, gaspin’, dyin’, stranglin’, stranglin’ and dyin’. You like that?”
“Lots of things I don’t like, sir. Please, sir, let me go. I’m late.”
“I’ll let you go when I’m ready to let you go. We’ll just talk here polite until I say you can leave, and you know it damn well. You want to travel, do you? Well, Mister Way up in the Middle of the Air, you get the hell home and work out that fifty bucks you owe me! Take you two months to do that!”
“But if I work it out, I’ll miss the rocket, sir!”
“Ain’t that a shame now?” Teece tried to look sad.
“I give you my horse, sir.”
“Horse ain’t legal tender. You don’t move until I get my money.” Teece laughed inside. He felt very warm and good.
A small crowd of dark people had gathered to hear all this. Now as Belter stood, head down, trembling, an old man stepped forward.
“Mister?”
Teece flashed him a quick look. “Well?”
“How much this man owe you, mister?”
“None of your damn business!”
The old man looked at Belter. “How much, son?”
“Fifty dollars.”
The old man put out his black hands at the people around him, “There’s twenty-five of you. Each give two dollars; quick now, this no time for argument.”
“Here, now!” cried Teece, stiffening up, tall, tall.
The money appeared. The old man fingered it into his hat and gave the hat to Belter. “Son,” he said, “you ain’t missin’ no rocket.”
Belter smiled into the hat. “No, sir, I guess I ain’t!”
Teece shouted: “You give that money back to them!”
Belter bowed respectfully, handing the money over, and when Teece would not touch it he set it down in the dust at Teece’s feet. “There’s your money, sir,” he said. “Thank you kindly.” Smiling, he gained the saddle of his horse and whipped his horse along, thanking the old man, who rode with him now until they were out of sight and hearing.
“Son of a bitch,” whispered Teece, staring blind at the sun. “Son of a bitch.”
“Pick up the money, Samuel,” said someone from the porch.
It was happening all along the way. Little white boys, barefoot, dashed up with the news. “Them that has helps them that hasn’t! And that way they all get free! Seen a rich man give a poor man two hundred bucks to pay off some’un! Seen some’un else give some’un else ten bucks, five bucks, sixteen, lots of that, all over, everybody!”
The white men sat with sour water in their mouths. Their eyes were almost puffed shut, as if they had been struck in their faces by wind and sand and heat.
The rage was in Samuel Teece. He climbed up on the porch and glared at the passing swarms. He waved his gun. And after a while when he had to do something, he began to shout at anyone, any Negro who looked up at him. “Bang! There’s another rocket out in space!” he shouted so all could hear. “Bang! By God!” The dark heads didn’t flicker or pretend to hear, but their white eyes slid swiftly over and back. “Crash! All them rockets fallin’! Screamin’, dyin’! Bang! God Almighty, I’m glad I’m right here on old terra firma. As they says in that old joke, the more firma, the less terra! Ha, ha!”
Horses clopped along, shuffling up dust. Wagons bumbled on ruined springs.
“Bang!” His voice was lonely in the heat, trying to terrify the dust and the blazing sun sky. “Wham! Niggers all over space! Jerked outa rockets like so many minnows hit by a meteor, by God! Space fulla meteors. You know that? Sure! Thick as buckshot; powie! Shoot down them tin-can rockets like so many ducks, so many clay pipes! Ole sardine cans full of black cod! Bangin’ like a stringa ladyfingers, bang, bang, bang! Ten thousand dead here, ten thousand there. Floatin’ in space, around and around earth, ever and ever, cold and way out, Lord! You hear that, you there!”
Silence. The river was broad and continuous. Having entered all cotton shacks during the hour, having flooded all the valuables out, it was now carrying the clocks and the washboards, the silk bolts and curtain rods on down to some distant black sea.
High tide passed. It was two o’clock. Low tide came. Soon the river was dried up, the town silent, the dust settling in a film on the stores, the seated men, the tall hot trees.
Silence.
The men on the porch listened.
Hearing nothing, they extended their thoughts and their imaginations out and into the surrounding meadows. In the early morning the land had been filled with its usual concoctions of sound. Here and there, with stubborn persistence to custom, there had been voices singing, the honey laughter under the mimosa branches, the pickaninnies rushing in clear water laughter at the creek, movements and bendings in the fields, jokes and shouts of amusement from the shingle shacks covered with fresh green vine.
Now it was as if a great wind had washed the land clean of sounds. There was nothing. Skeleton doors hung open on leather hinges. Rubber-tire swings hung in the silent air, uninhibited. The washing rocks at the river were empty, and the watermelon patches, if any, were left alone to heat their hidden liquors in the sun. Spiders started building new webs in abandoned huts; dust started to sift in from unpatched roofs in golden spicules. Here and there a fire, forgotten in the last rush, lingered and in a sudden access of strength fed upon the dry bones of some littered shack. The sound of a gentle feeding burn went up through the silenced air.
The men sat on the hardware porch, not blinking or swallowing.
“I can’t figure why they left now. With things lookin’ up. I mean, every day they got more rights. What they want, anyway? Here’s the poll tax gone, and more and more states passin’ anti-lynchin’ bills, and all kinds of equal rights. What more they want? They make almost as good money as a white man, but there they go.”
Far down the empty street a bicycle came.
“I’ll be goddamned. Teece, here comes your Silly now.”
The bicycle pulled up before the porch, a seventeen-year-old colored boy on it, all arms and feet and long legs and round watermelon head. He looked up at Samuel Teece and smiled.
“So you got a guilty conscience and came back,” said Teece.
“No, sir, I just brought the bicycle.”
“What’s wrong, couldn’t get it on the rocket?”
“That wasn’t it, sir.”
“Don’t tell me what it was! Get off, you’re not goin’ to steal my property!” He gave the boy a push. The bicycle fell. “Get inside and start cleaning the brass.”
“Beg pardon?” The boy’s eyes widened.
“You heard what I said. There’s guns need unpacking there, and a crate of nails just come from Natchez—“
“Mr. Teece.”
“And a box of hammers need fixin’—“
“Mr. Teece, sir?”
“You still standin’ there!” Teece glared.
“Mr. Teece, you don’t mind I take the day off,” he said apologetically.
“And tomorrow and day after tomorrow and the day after the day after that,” said Teece.
“I’m afraid so, sir.”
“You should be afraid, boy. Come here.” He marched the boy across the porch and drew a paper out of a desk. “Remember this?”
“Sir?”
“It’s your workin’ paper. You signed it, there’s your X right there, ain’t it? Answer me.”
“I didn’t sign that, Mr. Teece.” The boy trembled. “Anyone can make an X.”
“Listen to this, Silly. Contract: ‘I will work for Mr. Samuel Teece two years, starting July 15, 2001, and if intending to leave will give four weeks’ notice and continue working until my position is filled.’ There.” Teece slapped the paper, his eyes glittering. “You cause trouble, we’ll take it to court.”
“I can’t do that,” wailed the boy, tears starting to roll down his face, “If I don’t go today, I don’t go.”
“I know just how you feel, Silly; yes, sir, I sympathize with you, boy. But we’ll treat you good and give you good food, boy. Now you just get inside and start working and forget all about that nonsense, eh, Silly? Sure.” Teece grinned and patted the boy’s shoulder.
The boy turned and looked at the old men sitting on the porch. He could hardly see now for his tears. “Maybe—maybe one of these gentlemen here ... ” The men looked up in the hot, uneasy shadows, looking first at the boy and then at Teece.
“You meanin’ to say you think a white man should take your place, boy?” asked Teece coldly.
Grandpa Quartermain took his red hands off his knees. He looked out at the horizon thoughtfully and said, “Teece, what about me?”
“What?”
“I’ll take Silly’s job.”
The porch was silent.
Teece balanced himself in the air. “Grandpa,” he said warningly.
“Let the boy go. I’ll clean the brass.”
“Would you, would you, really?” Silly ran over to Grandpa, laughing, tears on his cheeks, unbelieving.
“Sure.”
“Grandpa,” said Teece, “keep your damn trap outa this.”
“Give the kid a break, Teece.”
Teece walked over and seized the boy’s arm. “He’s mine. I’m lockin’ him in the back room until tonight.”
“Don’t, Mr. Teece!”
The boy began to sob now. His crying filled the air of the porch. His eyes were tight. Far down the street an old tin Ford was choking along, approaching, a last load of colored people in it. “Here comes my family, Mr. Teece, oh please, please, oh God, please!”
“Teece,” said one of the other men on the porch, getting up, “let him go.”
Another man rose also. “That goes for me too.”
“And me,” said another.
“What’s the use?” The men all talked now. “Cut it out, Teece.”
“Let him go.”
Teece felt for his gun in his pocket. He saw the men’s faces. He took his hand away and left the gun in his pocket and said, “So that’s how it is?”
“That’s how it is,” someone said.
Teece let the boy go. “All right. Get out.” He jerked his hand back in the store. “But I hope you don’t think you’re gonna leave any trash behind to clutter my store.”
“No, sir!”
“You clean everything outa your shed in back; burn it.”
Silly shook his head. “I’ll take it with.”
“They won’t let you put it on that damn rocket.”
“I’ll take it with,” insisted the boy softly.
He rushed back through the hardware store. There were sounds of sweeping and cleaning out, and a moment later he appeared, his hands full of tops and marbles and old dusty kites and junk collected through the years. Just then the old tin Ford drove up and Silly climbed in and the door slammed. Teece stood on the porch with a bitter smile. “What you goin’ to do up there?”
“Startin’ new,” said Silly. “Gonna have my own hardware.”
“God damn it, you been learnin’ my trade so you could run off and use it!”
“No, sir, I never thought one day this’d happen, sir, but it did. I can’t help it if I learned, Mr. Teece.”
“I suppose you got names for your rockets?”
They looked at their one clock on the dashboard of the car.
“Yes, sir.”
“Like Elijah and the Chariot, The Big Wheel and The Little Wheel, Faith, Hope, and Charity, eh?”
“We got names for the ships, Mr. Teece.”
“God the Son and the Holy Ghost, I wouldn’t wonder? Say, boy, you got one named the First Baptist Church?”
“We got to leave now, Mr. Teece.”
Teece laughed. “You got one named Swing Low, and another named Sweet Chariot?”
The car started up. “Good-by, Mr. Teece.”
“You got one named Roll Dem Bones?”
“Good-by, mister!”
“And another called Over Jordan! Ha! Well, tote that rocket, boy, lift that rocket, boy, go on, get blown up, see if I care!”
The car churned off into the dust. The boy rose and cupped his hands to his mouth and shouted one last time at Teece: “Mr. Teece, Mr. Teece, what you goin’ to do nights from now on? What you goin’ to do nights, Mr. Teece?”
Silence. The car faded down the road. It was gone. “What in hell did he mean?” mused Teece. “What am I goin’ to do nights?”
He watched the dust settle, and it suddenly came to him.
He remembered nights when men drove to his house, their knees sticking up sharp and their shotguns sticking up sharper, like a carful of cranes under the night trees of summer, their eyes mean. Honking the horn and him slamming his door, a gun in his hand, laughing to himself, his heart racing like a ten-year-old’s, driving off down the summer-night road, a ring of hemp rope coiled on the car floor, fresh shell boxes making every man’s coat look bunchy. How many nights over the years, how many nights of the wind rushing in the car, flopping their hair over their mean eyes, roaring, as they picked a tree, a good strong tree, and rapped on a shanty door!
“So that’s what the son of a bitch meant?” Teece leaped out into the sunlight. “Come back, you bastard! What am I goin’ to do nights? Why, that lousy, insolent son of a ... ”
It was a good question. He sickened and was empty. Yes. What will we do nights? he thought. Now they’re gone, what? He was absolutely empty and numb.
He pulled the pistol from his pocket, checked its load.
“What you goin’ to do, Sam?” someone asked.
“Kill that son of a bitch.”
Grandpa said, “Don’t get yourself heated.”
But Samuel Teece was gone around behind the store. A moment later he drove out the drive in his open-top car. “Anyone comin’ with me?”
“I’d like a drive,” said Grandpa, and got up.
“Anyone else?”
Nobody replied.
Grandpa got in and slammed the door. Samuel Teece gutted the car out in a great whorl of dust. They didn’t speak as they rushed down the road under the bright sky. The heat from the dry meadows was shimmering.
They stopped at a crossroad. “Which way’d they go, Grandpa?”
Grandpa squinted. “Straight on ahead, I figure.”
They went on. Under the summer trees their car made a lonely sound. The road was empty, and as they drove along they began to notice something. Teece slowed the car and bent out, his yellow eyes fierce.
“God damn it, Grandpa, you see what them bastards did?”
“What?” asked Grandpa, and looked.
Where they had been carefully set down and left, in neat bundles every few feet along the empty country road, were old roller skates, a bandanna full of knicknacks, some old shoes, a cartwheel, stacks of pants and coats and ancient hats, bits of oriental crystal that had once tinkled in the wind, tin cans of pink geraniums, dishes of waxed fruit, cartons of Confederate money, washtubs, scrubboards, wash lines, soap, somebody’s tricycle, someone else’s hedge shears, a toy wagon, a jack-in-the-box, a stained-glass window from the Negro Baptist Church, a whole set of brake rims, inner tubes, mattresses, couches, rocking chairs, jars of cold cream, hand mirrors. None of it flung down, no, but deposited gently and with feeling, with decorum, upon the dusty edges of the road, as if a whole city had walked here with hands full, at which time a great bronze trumpet had sounded, the articles had been relinquished to the quiet dust, and one and all, the inhabitants of the earth had fled straight up into the blue heavens.
“Wouldn’t burn them, they said,” cried Teece angrily. “No, wouldn’t burn them like I said, but had to take them along and leave them where they could see them for the last time, on the road, all together and whole. Them niggers think they’re smart.”
He veered the car wildly, mile after mile, down the road, tumbling, smashing, breaking, scattering bundles of paper, jewel boxes, mirrors, chairs. “There, by damn, and there!”
The front tire gave a whistling cry. The car spilled crazily off the road into a ditch, flinging Teece against the glass.
“Son of a bitch!” He dusted himself off and stood out of the car, almost crying with rage.
He looked at the silent, empty road. “We’ll never catch them now, never, never.” As far as he could see there was nothing but bundles and stacks and more bundles neatly placed like little abandoned shrines in the late day, in the warm-blowing wind.
Teece and Grandpa came walking tiredly back to the hardware store an hour later. The men were still sitting there, listening, and watching the sky. Just as Teece sat down and eased his tight shoes off someone cried, “Look!”
“I’ll be damned if I will,” said Teece.
But the others looked. And they saw the golden bobbins rising in the sky, far away. Leaving flame behind, they vanished.
In the cotton fields the wind blew idly among the snow dusters. In still farther meadows the watermelons lay, unfingerprinted, striped like tortoise cats lying in the sun.
The men on the porch sat down, looked at each other, looked at the yellow rope piled neat on the store shelves, glanced at the gun shells glinting shiny brass in their cartons, saw the silver pistols and long black metal shotguns hung high and quiet in the shadows. Somebody put a straw in his mouth, Someone else drew a figure in the dust.
Finally Samuel Teece held his empty shoe up in triumph, turned it over, stared at it, and said, “Did you notice? Right up to the very last, by God, he said ‘Mister’!”
They came to the strange blue lands and put their names upon the lands. Here was Hinkston Creek and Lustig Corners and Black River and Driscoll Forest and Peregrine Mountain and Wilder Town, all the names of people and the things that the people did. Here was the place where Martians killed the first Earth Men, and it was Red Town and had to do with blood. And here where the second expedition was destroyed, and it was named Second Try, and each of the other places where the rocket men had set down their fiery caldrons to burn the land, the names were left like cinders, and of course there was a Spender Hill and a Nathaniel York Town ...
The old Martian names were names of water and air and hills. They were the names of snows that emptied south in stone canals to fill the empty seas. And the names of sealed and buried sorcerers and towers and obelisks. And the rockets struck at the names like hammers, breaking away the marble into shale, shattering the crockery milestones that named the old towns, in the rubble of which great pylons were plunged with new names: IRON TOWN, STEEL TOWN, ALUMINUM CITY, ELECTRIC VILLAGE, CORN TOWN, GRAIN VILLA, DETROIT II, all the mechanical names and the metal names from Earth.
And after the towns were built and named, the graveyards were built and named, too: Green Hill, Moss Town, Boot Hill, Bide a Wee; and the first dead went into their graves.
But after everything was pinned down and neat and in its place, when everything was safe and certain, when the towns were well enough fixed and the loneliness was at a minimum, then the sophisticates came in from Earth. They came on parties and vacations, on little shopping trips for trinkets and photographs and the “atmosphere”; they came to study and apply sociological laws; they came with stars and badges and rules and regulations, bringing some of the red tape that had crawled across Earth like an alien weed, and letting it grow on Mars wherever it could take root. They began to plan people’s lives and libraries; they began to instruct and push about the very people who had come to Mars to get away from being instructed and ruled and pushed about.
And it was inevitable that some of these people pushed back ...
“’During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback. through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher ...’”
Mr. William Stendahl paused in his quotation. There, upon a low black hill, stood the House, its cornerstone bearing the inscription 2005 A.D.
Mr. Bigelow, the architect, said, “It’s completed. Here’s the key, Mr. Stendahl.”
The two men stood together silently in the quiet autumn afternoon. Blueprints rustled on the raven grass at their feet.
“The House of Usher,” said Mr. Stendahl with pleasure. “Planned, built, bought, paid for. Wouldn’t Mr. Poe be delighted?”
Mr. Bigelow squinted. “Is it everything you wanted, sir?”
“Yes!”
“Is the color right? Is it desolate and terrible?”
“_Very_ desolate, very terrible!”
“The walls are--_bleak?_”
“Amazingly so!”
“The tarn, is it ‘black and lurid’ enough?”
“Most incredibly black and lurid.”
“And the sedge—we’ve dyed it, you know—is it the proper gray and ebon?”
“Hideous!”
Mr. Bigelow consulted his architectural plans. From these he quoted in part: “Does the whole structure cause an ‘iciness, a sickening of the heart, a dreariness of thought’? The House, the lake, the land, Mr. Stendahl?”
“Mr. Bigelow, it’s worth every penny! My God, it’s beautiful!”
“Thank you. I had to work in total ignorance. Thank the Lord you had your own private rockets or we’d never have been allowed to bring most of the equipment through. You notice, it’s always twilight here, this land, always October, barren, sterile, dead. It took a bit of doing. We killed everything. Ten thousand tons of DDT. Not a snake, frog, or Martian fly left! Twilight always, Mr. Stendahl; I’m proud of that. There are machines, hidden, which blot out the sun. It’s always properly ‘dreary.’”
Stendahl drank it in, the dreariness, the oppression, the fetid vapors, the whole “atmosphere,” so delicately contrived and fitted. And that House! That crumbling horror, that evil lake, the fungi, the extensive decay! Plastic or otherwise, who could guess?
He looked at the autumn sky. Somewhere above, beyond, far off, was the sun. Somewhere it was the month of April on the planet Mars, a yellow month with a blue sky. Somewhere above, the rockets burned down to civilize a beautifully dead planet. The sound of their screaming passage was muffled by this dim, soundproofed world, this ancient autumn world.
“Now that my job’s done,” said Mr. Bigelow uneasily, “I feel free to ask what you’re going to do with all this.”
“With Usher? Haven’t you guessed?”
“No.”
“Does the name Usher mean nothing to you?”
“Nothing.”
“Well, what about this name: Edgar Allan Poe?”
Mr. Bigelow shook his head.
“Of course.” Stendahl snorted delicately, a combination of dismay and contempt. “How could I expect you to know blessed Mr. Poe? He died a long while ago, before Lincoln. All of his books were burned in the Great Fire. That’s thirty years ago--1975.”
“Ah,” said Mr. Bigelow wisely. “One of those!”
“Yes, one of those, Bigelow. He and Lovecraft and Hawthorne and Ambrose Bierce and all the tales of terror and fantasy and horror and, for that matter, tales of the future were burned. Heartlessly. They passed a law. Oh, it started very small. In 1950 and ‘60 it was a grain of sand. They began by controlling books of cartoons and then detective books and, of course, films, one way or another, one group or another, political bias, religions prejudice, union pressures; there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves.”
“I see.”
“Afraid of the word ‘politics’ (which eventually became a synonym for Communism among the more reactionary elements, so I hear, and it was worth your life to use the word!), and with a screw tightened here, a bolt fastened there, a push, a pull, a yank, art and literature were soon like a great twine of taffy strung about, being twisted in braids and tied in knots and thrown in all directions, until there was no more resiliency and no more savor to it. Then the film cameras chopped short and the theaters turned dark. and the print presses trickled down from a great Niagara of reading matter to a mere innocuous dripping of ‘pure’ material. Oh, the word ‘escape’ was radical, too, I tell you!”
“Was it?”
“It was! Every man, they said, must face reality. Must face the Here and Now! Everything that was not so must go. All the beautiful literary lies and flights of fancy must be shot in mid-air. So they lined them up against a library wall one Sunday morning thirty years ago, in 1975; they lined them up, St. Nicholas and the Headless Horseman and Snow White and Rumpelstiltskin and Mother Goose—oh, what a wailing!--and shot them down, and burned the paper castles and the fairy frogs and old kings and the people who lived happily ever after (for of course it was a fact that nobody lived happily ever after!), and Once Upon A Time became No More! And they spread the ashes of the Phantom Rickshaw with the rubble of the Land of Oz; they filleted the bones of Glinda the Good and Ozma and shattered Polychrome in a spectroscope and served Jack Pumpkinhead with meringue at the Biologists’ Ball! The Beanstalk died in a bramble of red tape! Sleeping Beauty awoke at the kiss of a scientist and expired at the fatal puncture of his syringe. And they made Alice drink something from a bottle which reduced her to a size where she could no longer cry ‘Curiouser and curiouser,’ and they gave the Looking Glass one hammer blow to smash it and every Red King and Oyster away!”
He clenched his fists. Lord, how immediate it was! His face was red and he was gasping for breath.
As for Mr. Bigelow, he was astounded at this long explosion. He blinked and at last said, “Sorry. Don’t know what you’re talking about. Just names to me. From what I hear, the Burning was a good thing.”
“Get out!” screamed Stendahl. “You’ve done your job, now let me alone, you idiot!”
Mr. Bigelow summoned his carpenters and went away.
Mr. Stendahl stood alone before his House.
“Listen here,” he said to the unseen rockets. “I came to Mars to get away from you Clean-Minded people, but you’re flocking in thicker every day, like flies to offal. So I’m going to show you. I’m going to teach you a fine lesson for what you did to Mr. Poe on Earth. As of this day, beware. The House of Usher is open for business!”
He pushed a fist at the sky.
The rocket landed. A man stepped out jauntily. He glanced at the House, and his gray eyes were displeased and vexed. He strode across the moat to confront the small man there.
“Your name Stendahl?”
“Yes.”
“I’m Garrett, Investigator of Moral Climates.”
“So you finally got to Mars, you Moral Climate people? I wondered when you’d appear.”
“We arrived last week. We’ll soon have things as neat and tidy as Earth.” The man waved an identification card irritably toward the House. “Suppose you tell me about that place, Stendahl?”
“It’s a haunted castle, if you like.”
“I don’t like. Stendahl, I don’t like. The sound of that word ‘haunted.’”
“Simple enough. In this year of our Lord 2005 I have built a mechanical sanctuary. In it copper bats fly on electronic beams, brass rats scuttle in plastic cellars, robot skeletons dance; robot vampires, harlequins, wolves, and white phantoms, compounded of chemical and ingenuity, live here.”
“That’s what I was afraid of,” said Garrett, smiling quietly. “I’m afraid we’re going to have to tear your place down.”
“I knew you’d come out as soon as you discovered what went on.”
“I’d have come sooner, but we at Moral Climates wanted to be sure of your intentions before we moved in. We can have the Dismantlers and Burning Crew here by supper. By midnight your place will be razed to the cellar. Mr. Stendahl, I consider you somewhat of a fool, sir. Spending hard-earned money on a folly. Why, it must have cost you three million dollars—“
“Four million! But, Mr. Garrett, I inherited twenty-five million when very young. I can afford to throw it about. Seems a dreadful shame, though, to have the House finished only an hour and have you race out with your Dismantlers. Couldn’t you possibly let me play with my Toy for just, well, twenty-four hours?”
“You know the law. Strict to the letter. No books, no houses, nothing to be produced which in any way suggests ghosts, vampires, fairies, or any creature of the imagination.”
“You’ll be burning Babbitts next!”
“You’ve caused us a lot of trouble, Mr. Stendahl. It’s in the record. Twenty years ago. On Earth. You and your library.”
“Yes, me and my library. And a few others like me. Oh, Poe’s been forgotten for many years now, and Oz and the other creatures. But I had my little cache. We had our libraries, a few private citizens, until you sent your men around with torches and incinerators and tore my fifty thousand books up and burned them. Just as you put a stake through the heart of Halloween and told your film producers that if they made anything at all they would have to make and remake Earnest Hemingway. My God, how many times have I seen For Whom the Bell Tolls done! Thirty different versions. All realistic. Oh, realism! Oh, here, oh, now, oh hell!”
“It doesn’t pay to be bitter!”
“Mr. Garrett, you must turn in a full report, mustn’t you?”
“Yes.”
“Then, for curiosity’s sake, you’d better come in and look around. It’ll take only a minute.”
“All right. Lead the way. And no tricks. I’ve a gun with me.”
The door to the House of Usher creaked wide. A moist wind issued forth. There was an immense sighing and moaning, like a subterranean bellows breathing in the lost catacombs.
A rat pranced across the floor stones. Garrett, crying out, gave it a kick. It fell over, the rat did, and from its nylon fur streamed an incredible horde of metal fleas.
“Amazing!” Garrett bent to see.
An old witch sat in a niche, quivering her wax hands over some orange-and-blue tarot cards. She jerked her head and hissed through her toothless mouth at Garrett, tapping her greasy cards.
“Death!” she cried.
“Now that’s the sort of thing I mean,” said Garrett. “Deplorable!”
“I’ll let you burn her personally.”
“Will you, really?” Garrett was pleased. Then he frowned. “I must say you’re taking this all so well.”
“It was enough just to be able to create this place. To be able to say I did it. To say I nurtured a medieval atmosphere in a modern, incredulous world.”
“I’ve a somewhat reluctant admiration for your genius myself, sir.” Garrett watched a mist drift by, whispering and whispering, shaped like a beautiful and nebulous woman. Down a moist corridor a machine whirled. Like the stuff from a cotton-candy centrifuge, mists sprang up and floated, murmuring, in the silent halls.
An ape appeared out of nowhere.
“Hold on!” cried Garrett.
“Don’t be afraid,” Stendahl tapped the animal’s black chest. “A robot. Copper skeleton and all, like the witch. See?” He stroked the fur, and under it metal tubing came to light.
“Yes.” Garrett put out a timid hand to pet the thing. “But why, Mr. Stendahl, why all this? What obsessed you?”
“Bureaucracy, Mr. Garrett. But I haven’t time to explain. The government will discover soon enough.” He nodded to the ape. “All right. Now.”
The ape killed Mr. Garrett.
“Are we almost ready, Pikes?”
Pikes looked up from the table. “Yes, sir.”
“You’ve done a splendid job.”
“Well, I’m paid for it, Mr. Stendahl,” said Pikes softly as he lifted the plastic eyelid of the robot and inserted the glass eyeball to fasten the rubberoid muscles neatly. “There.”
“The spitting image of Mr. Garrett.”
“What do we do with him, sir?” Pikes nodded at the slab where the real Mr. Garrett lay dead.
“Better burn him, Pikes. We wouldn’t want two Mr. Gasretts, would we?”
Pikes wheeled Mr. Garrett to the brick incinerator. “Goodbye.” He pushed Mr. Garrett in and slammed the door.
Stendahl confronted the robot Garrett. “You have your orders, Garrett?”
“Yes, sir.” The robot sat up. “I’m to return to Moral Climates. I’ll file a complementary report. Delay action for at least forty-eight hours. Say I’m investigating more fully.”
“Right, Garrett. Good-by.”
The robot hurried out to Garrett’s rocket, got in, and flew away.
Stendahl turned. “Now, Pikes, we send the remainder of the invitations for tonight. I think we’ll have a jolly time, don’t you?”
“Considering we waited twenty years, quite jolly!”
They winked at each other.
Seven o’clock. Stendahl studied his watch. Almost time. He twirled the sherry glass in his hand. He sat quietly. Above him, among the oaken beams, the bats, their delicate copper bodies hidden under rubber flesh, blinked at him and shrieked. He raised his glass to them. “To our success.” Then he leaned back, closed his eyes, and considered the entire affair. How he would savor this in his old age. This paying back of the antiseptic government for its literary terrors and conflagrations. Oh, how the anger and hatred had grown in him through the years. Oh, how the plan had taken a slow shape in his numbed mind, until that day three years ago when he had met Pikes.
Ah yes, Pikes. Pikes with the bitterness in him as deep as a black, charred well of green acid. Who was Pikes? Only the greatest of them all! Pikes, the man of ten thousand faces, a fury, a smoke, a blue fog, a white rain, a bat, a gargoyle, a monster, that was Pikes! Better than Lon Chaney, the father? Stendahl ruminated. Night after night he had watched Chaney in the old, old films. Yes, better than Chaney. Better than that other ancient mummer? What was his name? Karloff? Far better! Lugosi? The comparison was odious! No, there was only one Pikes, and he was a man stripped of his fantasies now, no place on Earth to go, no one to show off to. Forbidden even to perform for himself before a mirror!
Poor impossible, defeated Pikes! How must it have felt, Pikes, the night they seized your films, like entrails yanked from the camera, out of your guts, clutching them in coils and wads to stuff them up a stove to burn away! Did it feel as bad as having some fifty thousand books annihilated with no recompense? Yes. Yes. Stendahl felt his hands grow cold with the senseless anger. So what more natural than they would one day talk over endless coffeepots into innumerable midnights, and out of all the talk and the bitter brewings would come—the House of Usher.
A great church bell rang. The guests were arriving.
Smiling he went to greet them.
Full grown without memory, the robots waited. In green silks the color of forest pools, in silks the color of frog and fern, they waited. In yellow hair the color of the sun and sand, the robots waited. Oiled, with tube bones cut from bronze and sunk in gelatin, the robots lay. In coffins for the not dead and not alive, in planked boxes, the metronomes waited to be set in motion. There was a smell of lubrication and lathed brass. There was a silence of the tomb yard. Sexed but sexless, the robots. Named but unnamed, and borrowing from humans everything but humanity, the robots stared at the nailed lids of their labeled F.O.B. boxes, in a death that was not even a death, for there had never been a life. And now there was a vast screaming of yanked nails. Now there was a lifting of lids. Now there were shadows on the boxes and the pressure of a hand squirting oil from a can. Now one clock was set in motion, a faint ticking. Now another and another, until this was an immense clock shop, purring. The marble eyes rolled wide their rubber lids. The nostrils winked. The robots, clothed in hair of ape and white of rabbit, arose: Tweedledum following Tweedledee, Mock-Turtle, Dormouse, drowned bodies from the sea compounded of salt and whiteweed, swaying; hanging blue-throated men with turned-up, clam-flesh eyes, and creatures of ice and burning tinsel, loam-dwarfs and pepper-elves, Tik-tok, Ruggedo, St. Nicholas with a self-made snow flurry blowing on before him, Bluebeard with whiskers like acetylene flame, and sulphur clouds from which green fire snouts protruded, and, in scaly and gigantic serpentine, a dragon with a furnace in its belly reeled out the door with a scream, a tick, a bellow, a silence, a rush, a wind. Ten thousand lids fell back. The clock shop moved out into Usher. The night was enchanted.
A warm breeze came over the land. The guest rockets, burning the sky and turning the weather from autumn to spring arrived.
The men stepped out in evening clothes and the women stepped out after them, their hair coiffed up in elaborate detail.
“So that’s Usher!”
“But where’s the door?”
At this moment Stendahl appeared. The women laughed and chattered. Mr. Stendahl raised a hand to quiet them. Turning, he looked up to a high castle window and called:
“Rapunzel, Rapunzel, let down your hair.”
And from above, a beautiful maiden leaned out upon the night wind and let down her golden hair. And the hair twined and blew and became a ladder upon which the guests might ascend, laughing, into the House.
What eminent sociologists! What clever psychologists! What tremendously important politicians, bacteriologists, and neurologists! There they stood, within the dank walls.
“Welcome, all of you!”
Mr. Tryon, Mr. Owen, Mr. Dunne, Mr. Lang, Mr. Steffens, Mr. Fletcher, and a double-dozen more.
“Come in, come in!”
Miss Gibbs, Miss Pope, Miss Churchil, Miss Blunt, Miss Drummond, and a score of other women, glittering.
Eminent, eminent people, one and all, members of the Society for the Prevention of Fantasy, advocators of the banishment of Halloween and Guy Fawkes, killers of bats, burners of books, bearers of torches; good clean citizens, every one, who had waited until the rough men had come up and buried the Martians and cleansed the cities and built the towns and repaired the highways and made everything safe. And then, with everything well on its way to Safety, the Spoil-Funs, the people with mercurochrome for blood and iodine-colored eyes, came now to set up their Moral Climates and dole out goodness to everyone. And they were his friends! Yes, carefully, carefully, he had met and befriended each of them on Earth in the last year!
“Welcome to the vasty halls of Death!” he cried.
“Hello, Stendahl, what is all this?”
“You’ll see. Everyone off with their clothes. You’ll find booths to one side there. Change into costumes you find there. Men on this side, women on that.”
The people stood uneasily about.
“I don’t know if we should stay,” said Miss Pope. “I don’t like the looks of this. It verges on—blasphemy.”
“Nonsense, a costume ball!”
“Seems quite illegal.” Mr. Steffens sniffed about.
“Come off it.” Stendahl laughed. “Enjoy yourselves. Tomorrow it’ll be a ruin. Get in the booths!”
The House blazed with life and color; harlequins rang by with belled caps and white mice danced miniature quadrilles to the music of dwarfs who tickled tiny fiddles with tiny bows, and flags rippled from scorched beams while bats flew in clouds about gargoyle mouths which spouted down wine, cool, wild, and foaming. A creek wandered through the seven rooms of the masked ball. Guests sipped and found it to be sherry. Guests poured from the booths, transformed from one age into another, their faces covered with dominoes, the very act of putting on a mask revoking all their licenses to pick a quarrel with fantasy and horror. The women swept about in red gowns, laughing. The men danced them attendance. And on the walls were shadows with no people to throw them, and here or there were mirrors in which no image showed. “All of us vampires!” laughed Mr. Fletcher. “Dead!”
There were seven rooms, each a different color, one blue, one purple, one green, one orange, another white, the sixth violet, and the seventh shrouded in black velvet. And in the black room was an ebony clock which struck the hour loud. And through these rooms the guests ran, drunk at last, among the robot fantasies, amid the Dormice and Mad Hatters, the Trolls and Giants, the Black Cats and White Queens, and under their dancing feet the floor gave off the massive pumping beat of a hidden and telltale heart.
“Mr. Stendahl!”
A whisper.
“Mr. Stendahl!”
A monster with the face of Death stood at his elbow. It was Pikes. “I must see you alone.”
“What is it?”
“Here.” Pikes held out a skeleton hand. In it were a few half-melted, charred wheels, nuts, cogs, bolts.
Stendahl looked at them for a long moment. Then he drew Pikes into a corridor. “Garrett?” he whispered.
Pikes nodded. “He sent a robot in his place. Cleaning out the incinerator a moment ago, I found these.”
They both stared at the fateful cogs for a time.
“This means the police will be here any minute,” said Pikes. “Our plan will be ruined.”
“I don’t know.” Stendahl glanced in at the whirling yellow and blue and orange people. The music swept through the misting halls. “I should have guessed Garrett wouldn’t be fool enough to come in person. But wait!”
“What’s the matter?”
“Nothing. There’s nothing the matter. Garrett sent a robot to us. Well, we sent one back. Unless he checks closely, he won’t notice the switch.”
“Of course!”
“Next time he’ll come himself. Now that he thinks it’s safe. Why, he might be at the door any minute, in person! More wine, Pikes!”
The great bell rang.
“There he is now, I’ll bet you. Go let Mr. Garrett in.”
Rapunzel let down her golden hair.
“Mr. Stendahl?”
“Mr. Garrett. The real Mr. Garrett?”
“The same.” Garrett eyed the dank walls and the whirling people. “I thought I’d better come see for myself. You can’t depend on robots. Other people’s robots, especially. I also took the precaution of summoning the Dismantlers. They’ll be here in one hour to knock the props out from under this horrible place.”
Stendahl bowed. “Thanks for telling me.” He waved his hand. “In the meantime, you might as well enjoy this. A little wine?”
“No, thank you. What’s going on? How low can a man sink?”
“See for yourself, Mr. Garrett.”
“Murder,” said Garrett.
“Murder most foul,” said Stendahl.
A woman screamed. Miss Pope ran up, her face the color of a cheese. “The most horrid thing just happened! I saw Miss Blunt strangled by an ape and stuffed up a chimney!”
They looked and saw the long yellow hair trailing down from the flue. Garrett cried out.
“Horrid!” sobbed Miss Pope, and then ceased crying. She blinked and turned. “Miss Blunt!”
“Yes,” said Miss Blunt, standing there.
“But I just saw you crammed up the flue!”
“No,” laughed Miss Blunt. “A robot of myself. A clever facsimile!”
“But, but ... ”
“Don’t cry darling. I’m quite all right. Let me look at myself. Well, so there I am! Up the chimney. Like you said. Isn’t that funny?”
Miss Blunt walked away, laughing.
“Have a drink, Garrett?”
“I believe I will. That unnerved me. My God, what a place. This does deserve tearing down. For a moment there ... ”
Garrett drank.
Another scream. Mr. Steffens, borne upon the shoulders of four white rabbits, was carried down a flight of stairs which magically appeared in the floor. Into a pit went Mr. Steffens, where, bound and tied, he was left to face the advancing razor steel of a great pendulum which now whirled down, down, closer and closer to his outraged body.
“Is that me down there?” said Mr. Steffens, appearing at Garrett’s elbow. He bent over the pit. “How strange, how odd, to see yourself die.”
The pendulum made a final stroke.
“How realistic,” said Mr. Steffens, turning away.
“Another drink, Mr. Garrett?”
“Yes, please.”
“It won’t be long. The Dismantlers will be here.”
“Thank God!”
And for a third time, a scream.
“What now?” said Garrett apprehensively.
“It’s my turn,” said Miss Drummond. “Look.”
And a second Miss Druxnmond, shrieking, was nailed into a coffin and thrust into the raw earth under the floor.
“Why, I remember that,” gasped the Investigator of Moral Climates. “From the old forbidden books. The Premature Burial. And the others. The Pit, the Pendulum, and the ape, the chimney, the Murders in the Rue Morgue. In a book I burned, yes!”
“Another drink, Garrett. Here, hold your glass steady.”
“My lord, you have an imagination, haven’t you?”
They stood and watched five others die, one in the mouth of a dragon, the others thrown off into the black tarn, sinking and vanishing.
“Would you like to see what we have planned for you?” asked Stendahl.
“Certainly,” said Garrett. “What’s the difference? We’ll blow the whole damn thing up, anyway. You’re nasty.”
“Come along then. This way.”
And he led Garrett down into the floor, through numerous passages and down again upon spiral stairs into the earth, into the catacombs.
“What do you want to show me down here?” said Garrett.
“Yourself killed.”
“A duplicate?”
“Yes. And also something else.”
“What?”
“The Amontillado,” said Stendahl, going ahead with a blazing lantern which he held high. Skeletons froze half out of coffin lids. Garrett held his hand to his nose, his face disgusted.
“The what?”
“Haven’t you ever heard of the Amontillado?”
“No!”
“Don’t you recognize this?” Stendahl pointed to a cell.
“Should I?”
“Or this?” Stendahl produced a trowel from under his cape smiling.
“What’s that thing?”
“Come,” said Stendahl.
They stepped into the cell. In the dark, Stendahl affixed the chains to the half-drunken man.
“For God’s sake, what are you doing?” shouted Garrett, rattling about.
“I’m being ironic. Don’t interrupt a man in the midst of being ironic, it’s not polite. There!”
“You’ve locked me in chains!”
“So I have.”
“What are you going to do?”
“Leave you here.”
“You’re joking.”
“A very good joke.”
“Where’s my duplicate? Don’t we see him killed?”
“There’s no duplicate.”
“But the others!”
“The others are dead. The ones you saw killed were the real people. The duplicates, the robots, stood by and watched.”
Garrett said nothing.
“Now you’re supposed to say, ‘For the love of God, Montresor!’” said Stendahl. “And I will reply, ‘Yes, for the love of God.’ Won’t you say it? Come on. Say it.”
“You fool.”
“Must I coax you? Say it. Say ‘For the love of God, Montresor!’”
“I won’t, you idiot. Get me out of here.” He was sober now.
“Here. Put this on.” Stendahl tossed in something that belled and rang.
“What is it?”
“A cap and bells. Put it on and I might let you out.”
“Stendahl!”
“Put it on, I said!”
Garrett obeyed. The bells tinkled.
“Don’t you have a feeling that this has all happened before?” inquired Stendahl, setting to work with trowel and mortar and brick now.
“What’re you doing?”
“Walling you in. Here’s one row. Here’s another.”
“You’re insane!”
“I won’t argue that point.”
“You’ll be prosecuted for this!”
He tapped a brick and placed it on the wet mortar, humming.
Now there was a thrashing and pounding and a crying out from within the darkening place. The bricks rose higher. “More thrashing, please,” said Stendahl. “Let’s make it a good show.”
“Let me out, let me out!”
There was one last brick to shove into place. The screaming was continuous.
“Garrett?” called Stendahl softly. Garrett silenced himself. “Garrett,” said Stendahl, “do you know why I’ve done this to you? Because you burned Mr. Poe’s books without really reading them. You took other people’s advice that they needed burning. Otherwise you’d have realized what I was going to do to you when we came down here a moment ago. Ignorance is fatal, Mr. Garrett.”
Garrett was silent.
“I want this to be perfect,” said Stendahl, holding his lantern up so its light penetrated in upon the slumped figure. “Jingle your bells softly.” The bells rustled. “Now, if you’ll please say, ‘For the love of God, Monstresor,’ I might let you free.”
The man’s face came up in the light. There was a hesitation. Then grotesquely the man said, “For the love of God, Montresor.”
“Ah,” said Stendahl, eyes closed. He shoved the last brick into place and mortared it tight. “_Requiescat in pace_, dear friend.”
He hastened from the catacomb.
In the seven rooms the sound of a midnight clock brought everything to a halt.
The Red Death appeared.
Stendahl turned for a moment at the door to watch. And then he ran out of the great House, across the moat, to where a helicopter waited.
“Ready, Pikes?”
“Ready.”
“There it goes!”
They looked at the great House, smiling. It began to crack down the middle, as with an earthquake, and as Stendahl watched the magnificent sight he heard Pikes reading behind him in a low, cadenced voice:
“’ ... my brain reeled as I saw the mighty walls rushing asunder—there was a long tumultuous shouting sound like the voice of a thousand waters—and the deep and dank tarn at my feet closed sullenly and silently over the fragments of the House of Usher.’”
The helicopter rose over the steaming lake and flew into the west.
And what more natural than that, at last, the old people come to Mars, following in the trail left by the loud frontiersmen, the aromatic sophisticates, and the professional travelers and romantic lecturers in search of new grist.
And so the dry and crackling people, the people who spent their time listening to their hearts and feeling their pulses and spooning syrups into their wry mouths, these people who once had taken chair cars to California in November and third-class steamers to Italy in April, the dried-apricot people, the mummy people, came at last to Mars ...
The blue mountains lifted into the rain and the rain fell down into the long canals and old LaFarge and his wife came out of their house to watch.
“First rain this season,” LaFarge pointed out.
“It’s good,” said his wife.
“Very welcome.”
They shut the door. Inside, they warmed their hands at a fire. They shivered. In the distance, through the window, they saw rain gleaming on the sides of the rocket which had brought them from Earth.
“There’s only one thing,” said LaFarge, looking at his hands.
“What’s that?” asked his wife.
“I wish we could have brought Tom with us.”
“Oh, now, Lafe!”
“I won’t start again; I’m sorry.”
“We came here to enjoy our old age in peace, not to think of Tom. He’s been dead so long now, we should try to forget him and everything on Earth.”
“You’re right,” he said, and turned his hands again to the heat. He gazed into the fire. “I won’t speak of it any more. It’s just I miss driving out to Green Lawn Park every Sunday to put flowers on his marker. It used to be our only excursion.”
The blue rain fell gently upon the house.
At nine o’clock they went to bed and lay quietly, hand in hand, he fifty-five, she sixty, in the raining darkness.
“Anna?” he called softly.
“Yes?” she replied.
“Did you hear something?”
They both listened to the rain and the wind.
“Nothing,” she said.
“Someone whistling,” he said.
“No, I didn’t hear it.”
“I’m going to get up to see anyhow.”
He put on his robe and walked through the house to the front door. Hesitating, he pulled the door wide, and rain fell cold upon his face. The wind blew.
In the dooryard stood a small figure.
Lightning cracked the sky, and a wash of white color illumined the face looking in at old LaFarge there in the doorway.
“Who’s there?” called LaFarge, trembling.
No answer.
“Who is it? What do you want!”
Still not a word.
He felt very weak and tired and numb. “Who are you?” he cried.
His wife entered behind him and took his arm. “Why are you shouting?”
“A small boy’s standing in the yard and won’t answer me,” said the old man, trembling. “He looks like Tom!”
“Come to bed, you’re dreaming.”
“But he’s there; see for yourself.”
He pulled the door wider to let her see. The cold wind blew and the thin rain fell upon the soil and the figure stood looking at them with distant eyes. The old woman held to the doorway.
“Go away!” she said, waving one hand. “Go away!”
“Doesn’t it look like Tom?” asked the old man.
The figure did not move.
“I’m afraid,” said the old woman. “Lock the door and come to bed. I won’t have anything to do with it.”
She vanished, moaning to herself, into the bedroom.
The old man stood with the wind raining coldness on his hands.
“Tom,” he called softly. “Tom, if that’s you, if by some chance it is you, Tom, I’ll leave the door unlatched. And if you’re cold and want to come in to warm yourself, just come in later and lie by the hearth; there’s some fur rugs there.”
He shut but did not lock the door.
His wife felt him return to bed, and shuddered. “It’s a terrible night. I feel so old,” she said, sobbing.
“Hush, hush,” he gentled her, and held her in his arms. “Go to sleep.”
After a long while she slept.
And then, very quietly, as he listened, he heard the front door open, the rain and wind come in, the door shut. He heard soft footsteps on the hearth and a gentle breathing. “Tom,” he said to himself,
Lightning struck in the sky and broke the blackness apart.
In the morning the sun was very hot.
Mr. LaFarge opened the door into the living room and glanced all about, quickly.
The hearthrugs were empty.
LaFarge sighed. “I’m getting old,” he said.
He went out to walk to the canal to fetch a bucket of clear water to wash in. At the front door he almost knocked young Tom down carrying in a bucket already filled to the brim. “Good morning, Father!”
“Morning Tom.” The old man fell aside. The young boy, barefooted, hurried across the room, set the bucket down, and turned, smiling. “It’s a fine day!”
“Yes, it is,” said the old man incredulously. The boy acted as if nothing was unusual. He began to wash his face with the water.
The old man moved forward. “Tom, how did you get here? You’re alive?”
“Shouldn’t I be?” The boy glanced up.
“But, Tom, Green Lawn Park, every Sunday, the flowers and ... ” LaFarge had to sit down. The boy came and stood before him and took his hand. The old man felt of the fingers, warm and firm. “You’re really here, it’s not a dream?”
“You do want me to be here, don’t you?” The boy seemed worried.
“Yes, yes, Tom!”
“Then why ask questions? Accept me!”
“But your mother; the shock ... ”
“Don’t worry about her. During the night I sang to both of you, and you’ll accept me more because of it, especially her. I know what the shock is. Wait till she comes, you’ll see.” He laughed, shaking his head of coppery, curled hair. His eyes were very blue and clear.
“Good morning, Lafe, Tom.” Mother came from the bedroom, putting her hair up into a bun. “Isn’t it a fine day?”
Tom turned to laugh in his father’s face. “You see?”
They ate a very good lunch, all three of them, in the shade behind the house. Mrs. LaFarge had found an old bottle of sunflower wine she had put away, and they all had a drink of that. Mr. LaFarge had never seen his wife’s face so bright. If there was any doubt in her mind about Tom, she didn’t voice it. It was completely natural thing to her. And it was also becoming natural to LaFarge himself.
While Mother cleared the dishes LaFarge leaned toward his son and said confidentially, “How old are you now, Son?”
“Don’t you know, Father? Fourteen, of course.”
“Who are you, really? You can’t be Tom, but you are someone. Who?”
“Don’t.” Startled, the boy put his hands to his face.
“You can tell me,” said the old man. “I’ll understand. You’re a Martian, aren’t you? I’ve heard tales of the Martians; nothing definite. Stories about how rare Martians are and when they come among us they come as Earth Men. There’s something about you—you’re Tom and yet you’re not.”
“Why can’t you accept me and stop talking?” cried the boy. His hands completely shielded his face. “Don’t doubt, please don’t doubt me!” He turned and ran from the table.
“Tom, come back!”
But the boy ran off along the canal toward the distant town.
“Where’s Tom going?” asked Anna, returning for more dishes. She looked at her husband’s face. “Did you say something to bother him?”
“Anna,” he said, taking her hand. “Anna, do you remember anything about Green Lawn Park, a market, and Tom having pneumonia?”
“What are you talking about?” She laughed.
“Never mind,” he said quietly.
In the distance the dust drifted down after Tom had run along the canal rim.
At five in the afternoon, with the sunset, Tom returned. He looked doubtfully at his father. “Are you going to ask me anything?” he wanted to know.
“No questions,” said LaFarge.
The boy smiled his white smile. “Swell.”
“Where’ve you been?”
“Near the town. I almost didn’t come back. I was almost”—the boy sought for a word—“trapped.”
“How do you mean, ‘trapped’?”
“I passed a small tin house by the canal and I was almost made so I couldn’t come back here ever again to see you. I don’t know how to explain it to you, there’s no way, I can’t tell you, even I don’t know; it’s strange, I don’t want to talk about it.”
“We won’t then. Better wash up, boy. Suppertime.”
The boy ran.
Perhaps ten minutes later a boat floated down the serene surface of the canal, a tall lank man with black hair poling it along with leisurely drives of his arms. “Evening, Brother LaFarge,” he said, pausing at his task.
“Evening Saul, what’s the word?”
“All kinds of words tonight. You know that fellow named Nomland who lives down the canal in the tin hut?”
LaFarge stiffened. “Yes?”
“You know what sort of rascal he was?”
“Rumor had it he left Earth because he killed a man.”
Saul leaned on his wet pole, gazing at LaFarge. “Remember the name of the man he killed?”
“Gillings, wasn’t it?”
“Right. Gillings. Well, about two hours ago Mr. Nomland came running to town crying about how he had seen Gillings, alive, here on Mars, today, this afternoon! He tried to get the jail to lock him up safe. The jail wouldn’t. So Nomland went home, and twenty minutes ago, as I get the story, blew his brains out with a gun. I just came from there.”
“Well, well,” said LaFarge.
“The darnedest things happen,” said Saul. “Well, good night, LaFarge.”
“Good night.”
The boat drifted on down the serene canal waters.
“Supper’s hot,” called the old woman.
Mr. LaFarge sat down to his supper and, knife in hand, looked over at Tom. “Tom,” he said, “what did you do this afternoon?”
“Nothing,” said Tom, his mouth full. “Why?”
“Just wanted to know.” The old man tucked his napkin in.
At seven that night the old woman wanted to go to town. “Haven’t been there in months,” she said. But Tom desisted. “I’m afraid of the town,” he said. “The people. I don’t want to go there.”
“Such talk for a grown boy,” said Anna. “I won’t listen to it. You’ll come along. I say so.”
“Anna, if the boy doesn’t want to ... ” started the old man.
But there was no arguing. She hustled them into the canalboat and they floated up the canal under the evening stars, Tom lying on his back, his eyes closed; asleep or not, there was no telling. The old man looked at him steadily, wondering. Who is this, he thought, in need of love as much as we? Who is he and what is he that, out of loneliness, he comes into the alien camp and assumes the voice and face of memory and stands among us, accepted and happy at last? From what mountain, what cave, what small last race of people remaining on this world when the rockets came from Earth? The old man shook his head. There was no way to know. This, to all purposes, was Tom.
The old man looked at the town ahead and did not like it, but then he returned to thoughts of Tom and Anna again and he thought to himself: Perhaps this is wrong to keep Tom but a little while, when nothing can come of it but trouble and sorrow, but how are we to give up the very thing we’ve wanted, no matter if it stays only a day and is gone, making the emptiness emptier, the dark nights darker, the rainy nights wetter? You might as well force the food from our mouths as take this one from us.
And he looked at the boy slumbering so peacefully at the bottom of the boat. The boy whimpered with some dream. “The people,” he murmured in his sleep. “Changing and changing. The trap.”
“There, there, boy.” LaFarge stroked the boy’s soft curls and Tom ceased.
LaFarge helped wife and son from the boat.
“Here we are!” Anna smiled at all the lights, listening to the music from the drinking houses, the pianos, the phonographs, watching people, arm in arm, striding by in the crowded streets.
“I wish I was home,” said Tom.
“You never talked that way before,” said the mother. “You always liked Saturday nights in town.”
“Stay close to me,” whispered Tom. “I don’t want to get trapped.”
Anna overheard. “Stop talking that way; come along!”
LaFarge noticed that the boy held his hand. LaFarge squeezed it. “I’ll stick with you, Tommy-boy.” He looked at the throngs coming and going and it worried him also. “We won’t stay long.”
“Nonsense, we’ll spend the evening,” said Anna.
They crossed a street, and three drunken men careened into them. There was much confusion, a separation, a wheeling about, and then LaFarge stood stunned.
Tom was gone.
“Where is he?” asked Anna irritably. “Him always running off alone any chance he gets. Tom!” she called.
Mr. LaFarge hurried through the crowd, but Tom was gone.
“He’ll come back; he’ll be at the boat when we leave,” said Anna certainly, steering her husband back toward the motion-picture theater. There was a sudden commotion in the crowd, and a man and woman rushed by LaFarge. He recognized them. Joe Spaulding and his wife. They were gone before he could speak to them.
Looking back anxiously, he purchased the tickets for the theater and allowed his wife to draw him into the unwelcome darkness.
Tom was not at the landing at eleven o’clock. Mrs. LaFarge turned very pale.
“Now, Mother,” said LaFarge, “don’t worry. I’ll find him. Wait here.”
“Hurry back.” Her voice faded into the ripple of the water.
He walked through the night streets, hands in pockets. All about, lights were going out one by one. A few people were still leaning out their windows, for the night was warm, even though the sky still held storm clouds from time to time among the stars. As he walked he recalled the boy’s constant references to being trapped, his fear of crowds and cities. There was no sense in it, thought the old man tiredly. Perhaps the boy was gone forever, perhaps he had never been. LaFarge turned in at a particular alley, watching the numbers.
“Hello there, LaFarge.”
A man sat in his doorway, smoking a pipe.
“Hello, Mike.”
“You and your woman quarrel? You out walking it off?”
“No. Just walking.”
“You look like you lost something. Speaking of lost things,” said Mike, “somebody got found this evening. You know Joe Spaulding? You remember his daughter Lavinia?”
“Yes.” LaFarge was cold. It all seemed a repeated dream, He knew which words would come next.
“Lavinia came home tonight,” said Mike, smoking. “You recall, she was lost on the dead sea bottoms about a month ago? They found what they thought was her body, badly deteriorated, and ever since the Spaulding family’s been no good. Joe went around saying she wasn’t dead, that wasn’t really her body. Guess he was right Tonight Lavinia showed up.”
“Where?” LaFarge felt his breath come swiftly, his heart pounding.
“On Main Street. The Spauldings were buying tickets for a show. And there, all of a sudden, in the crowd, was Lavinia. Must have been quite a scene. She didn’t know them first off. They followed her half down a street and spoke to her. Then she remembered.”
“Did you see her?”
“No, but I heard her singing. Remember how she used to sing ‘The Bonnie Banks of Loch Lomond’? I heard her trilling out for her father a while ago over there in their house. It was good to hear; her such a beautiful girl. A shame, I thought, her dead; and now with her back again it’s fine. Here now, you look weak yourself. Better come in for a spot of whisky ...”
“Thanks, no, Mike.” The old man moved away. He heard Mike say good night and did not answer, but fixed his eyes upon the two-story building where rambling clusters of crimson Martian flowers lay upon the high crystal roof. Around back, above the garden, was a twisted iron balcony, and the windows above were lighted. It was very late, and still he thought to himself: What will happen to Anna if I don’t bring Tom home with me? This second shock, this second death, what will it do to her? Will she remember the first death, too, and this dream, and the sudden vanishing? Oh God, I’ve got to find Tom, or what will come of Anna? Poor Anna, waiting there at the landing. He paused and lifted his head. Somewhere above, voices bade other soft voices good night, doors turned and shut, lights dimmed, and a gentle singing continued. A moment later a girl no more than eighteen, very lovely, came out upon the balcony.
LaFarge called up through the wind that was blowing.
The girl turned and looked down. “Who’s there?” she cried.
“It’s me,” said the old man, and, realizing this reply to be silly and strange, fell silent, his lips working. Should he call out, “Tom, my son, this is your father”? How to speak to her? She would think him quite insane and summon her parents.
The girl bent forward in the blowing light. “I know you,” she replied softly. “Please go; there’s nothing you can do.”
“You’ve got to come back!” It escaped LaFarge before he could prevent it.
The moonlit figure above drew into shadow, so there was no identity, only a voice. “I’m not your son any more,” it said. “We should never have come to town.”
“Anna’s waiting at the landing!”
“I’m sorry,” said the quiet voice. “But what can I do? I’m happy here, I’m loved, even as you loved me. I am what I am, and I take what can be taken; too late now, they’ve caught me.”
“But Anna, the shock to her. Think of that.”
“The thoughts are too strong in this house; it’s like being imprisoned. I can’t change myself back.”
“You are Tom, you were Tom, weren’t you? You aren’t joking with an old man; you’re not really Lavinia Spaulding?”
“I’m not anyone, I’m just myself; wherever I am, I am something, and now I’m something you can’t help.”
“You’re not safe in the town. It’s better out on the canal where no one can hurt you,” pleaded the old man.
“That’s true.” The voice hesitated. “But I must consider these people now. How would they feel if, in the morning, I was gone again, this time for good? Anyway, the mother knows what I am; she guessed, even as you did. I think they all guessed but didn’t question. You don’t question Providence. If you can’t have the reality, a dream is just as good. Perhaps I’m not their dead one back, but I’m something almost better to them; an ideal shaped by their minds. I have a choice of hurting them or your wife.”
“They’re a family of five. They can stand your loss better!”
“Please,” said the voice. “I’m tired.”
The old man’s voice hardened. “You’ve got to come. I can’t let Anna be hurt again. You’re our son. You’re my son, and you belong to us.”
“No, please!” The shadow trembled.
“You don’t belong to this house or these people!”
“No, don’t do this to me!”
“Tom, Tom, Son, listen to me. Come back, slip down the vines, boy. Come along, Anna’s waiting; we’ll give you a good home, everything you want.” He stared and stared upward, willing it to be.
The shadows drifted, the vines rustled.
At last the quiet voice said, “All right, Father.”
“Tom!”
In the moonlight the quick figure of a boy slid down through the vines. LaFarge put up his arms to catch him.
The room lights above flashed on. A voice issued from one of the grilled windows. “Who’s down there?”
“Hurry, boy!”
More lights, more voices. “Stop, I have a gun! Vinny, are you all right?” A running of feet.
Together the old man and the boy ran across the garden.
A shot sounded. The bullet struck the wall as they slammed the gate.
“Tom, you that way; I’ll go here and lead them off! Run to the canal; I’ll meet you there in ten minutes, boy!”
They parted.
The moon hid behind a cloud. The old man ran in darkness.
“Anna, I’m here!”
The old woman helped him, trembling, into the boat. “Where’s Tom?”
“He’ll be here in a minute,” panted LaFarge.
They turned to watch the alleys and the sleeping town. Late strollers were still out: a policeman, a night watchman, a rocket pilot, several lonely men coming home from some nocturnal rendezvous, four men and women issuing from a bar, laughing. Music played dimly somewhere.
“Why doesn’t he come?” asked the old woman.
“He’ll come, he’ll come.” But LaFarge was not certain. Suppose the boy had been caught again, somehow, someway, in his travel down to the landing, running through the midnight streets between the dark houses. It was a long run, even for a young boy. But he should have reached here first.
And now, far away, along the moonlit avenue, a figure ran.
LaFarge cried out and then silenced himself, for also far away was another sound of voices and running feet. Lights blazed on in window after window. Across the open plaza leading to the landing, the one figure ran. It was not Tom; it was only a running shape with a face like silver shining in the light of the globes clustered about the plaza. And as it rushed nearer, nearer, it became more familiar, until when it reached the landing it was Tom! Anna flung up her hands. LaFarge hurried to cast off. But already it was too late.
For out of the avenue and across the silent plaza now came one man, another, a woman, two other men, Mr. Spaulding, all running. They stopped, bewildered. They stared about, wanting to go back because this could be only a nightmare, it was quite insane. But they came on again, hesitantly, stopping, starting.
It was too late. The night, the event, was over. LaFarge twisted the mooring rope in his fingers. He was very cold and lonely. The people raised and put down their feet in the moonlight, drifting with great speed, wide-eyed, until the crowd, all ten of them, halted at the landing. They peered wildly down into the boat. They cried out.
“Don’t move, LaFarge!” Spaulding had a gun.
And now it was evident what had happened. Tom flashing through the moonlit streets, alone, passing people. A policeman seeing the figure dart past. The policeman pivoting, staring at the face, calling a name, giving pursuit “_You_, stop!” Seeing a criminal face. All along the way, the same thing, men here, women there, night watchmen, rocket pilots. The swift figure meaning everything to them, all identities, all persons, all names. How many different names had been uttered in the last five minutes? How many different faces shaped over Tom’s face, all wrong?
All down the way the pursued and the pursuing, the dream and the dreamers, the quarry and the hounds. All down the way the sudden revealment, the flash of familiar eyes, the cry of an old, old name, the remembrances of other times, the crowd multiplying. Everyone leaping forward as, like an image reflected from ten thousand mirrors, ten thousand eyes, the running dream came and went, a different face to those ahead, those behind, those yet to be met, those unseen.
And here they all are now, at the boat, wanting the dream for their own, just as we want him to be Tom, not Lavinia or William or Roger or any other, thought LaFarge. But it’s all done now. The thing has gone too far.
“Come up, all of you!” Spaulding ordered them.
Tom stepped up from the boat. Spaulding seized his wrist. “You’re coming home with me. I know.”
“Wait,” said the policeman. “He’s my prisoner. Name’s Dexter; wanted for murder.”
“No!” a woman sobbed. “It’s my husband! I guess I know my husband!”
Other voices objected. The crowd moved in.
Mrs. LaFarge shielded Tom. “This is my son; you have no right to accuse him of anything. We’re going home right now!”
As for Tom, he was trembling and shaking violently. He looked very sick. The crowd thickened about him, putting out their wild hands, seizing and demanding.
Tom screamed.
Before their eyes he changed. He was Tom and James and a man named Switchman, another named Butterfield; he was the town mayor and the young girl Judith and the husband William and the wife Clarisse. He was melting wax shaping to their minds. They shouted, they pressed forward, pleading. He screamed, threw out his hands, his face dissolving to each demand. “Tom!” cried LaFarge. “Alice!” another. “William!” They snatched his wrists, whirled him about, until with one last shriek of horror he fell.
He lay on the stones, melted wax cooling, his face all faces, one eye blue, the other golden, hair that was brown, red, yellow, black, one eyebrow thick, one thin, one hand large, one small.
They stood over him and put their fingers to their mouths. They bent down.
“He’s dead,” someone said at last.
It began to rain.
The rain fell upon the people, and they looked up at the sky.
Slowly, and then more quickly, they turned and walked away and then started running, scattering from the scene. In a minute the place was desolate. Only Mr. and Mrs. LaFarge remained, looking down, hand in hand, terrified.
The rain fell upon the upturned, unrecognizable face.
Anna said nothing but began to cry.
“Come along home, Anna, there’s nothing we can do,” said the old man.
They climbed down into the boat and went back along the canal in the darkness. They entered their house and lit a small fire and warmed their hands, They went to bed and lay together, cold and thin, listening to the rain returned to the roof above them.
“Listen,” said LaFarge at midnight. “Did you hear something?”
“Nothing, nothing.”
“I’ll go look anyway.”
He fumbled across the dark room and waited by the outer door for a long time before he opened it.
He pulled the door wide and looked out.
Rain poured from the black sky upon the empty dooryard, into the canal and among the blue mountains.
He waited five minutes and then softly, his hands wet, he shut and bolted the door.
It was a very remote thing, when the luggage-store proprietor heard the news on the night radio, received all the way from Earth on a light-sound beam. The proprietor felt how remote it was.
There was going to be a war on Earth.
He went out to peer into the sky.
Yes, there it was. Earth, in the evening heavens, following the sun into the hills. The words on the radio and that green star were one and the same.
“I don’t believe it,” said the proprietor.
“It’s because you’re not there,” said Father Peregrine, who had stopped by to pass the time of evening.
“What do you mean, Father?”
“It’s like when I was a boy,” said Father Peregrine. “We heard about wars in China. But we never believed them. It was too far away. And there were too many people dying. It was impossible. Even when we saw the motion pictures we didn’t believe it. Well, that’s how it is now. Earth is China. It’s so far away it’s unbelievable. It’s not here. You can’t touch it. You can’t even see it. All you see is a green light. Two billion people living on that light? Unbelievable! War? We don’t hear the explosions.”
“We will,” said the proprietor. “I keep thinking about all those people that were going to come to Mars this week. What was it? A hundred thousand or so coming up in the next month or so. What about them if the war starts?”
“I imagine they’ll turn back. They’ll be needed on Earth.”
“Well,” said the proprietor, “I’d better get my luggage dusted off. I got a feeling there’ll be a rush sale here any time.”
“Do you think everyone now on Mars will go back to Earth if this is the Big War we’ve all been expecting for years?”
“It’s a funny thing, Father, but yes, I think we’ll all go back. I know, we came up here to get away from things—politics, the atom bomb, war, pressure groups, prejudice, laws—I know. But it’s still home there. You wait and see. When the first bomb drops on America the people up here’ll start thinking. They haven’t been here long enough. A couple years is all. If they’d been here forty years, it’d be different, but they got relatives down there, and their home towns. Me, I can’t believe in Earth any more; I can’t imagine it much. But I’m old. I don’t count. I might stay on here.”
“I doubt it.”
“Yes, I guess you’re right.”
They stood on the porch watching the stars. Finally Father Peregrine pulled some money from his pocket and handed it to the proprietor. “Come to think of it, you’d better give me a new valise. My old one’s in pretty bad condition ...”
Sam Parkhill motioned with the broom, sweeping away the blue Martian sand.
“Here we are,” he said. “Yes, sir, look at that!” He pointed. “Look at that sign. SAM’S HOT DOGS! Ain’t that beautiful, Elma?”
“Sure, Sam,” said his wife.
“Boy, what a change for me. If the boys from the Fourth Expedition could see me now. Am I glad to be in business myself while all the rest of them guys’re off soldiering around still. We’ll make thousands, Elma, thousands.”
His wife looked at him for a long time, not speaking. “Whatever happened to Captain Wilder?” she asked finally. “That captain that killed that guy who thought he was going to kill off every other Earth Man, what was his name?”
“Spender, that nut. He was too damn particular. Oh, Captain Wilder? He’s off on a rocket to Jupiter, I hear. They kicked him upstairs. I think he was a little batty about Mars too. Touchy, you know. He’ll be back down from Jupiter and Pluto in about twenty years if he’s lucky. That’s what he gets for shooting off his mouth. And while he’s freezing to death, look at me, look at this place!”
This was a crossroads where two dead highways came and went in darkness. Here Sam Parkhill had flung up this riveted aluminum structure, garish with white light, trembling with jukebox melody.
He stooped to fix a border of broken glass he had placed on the footpath. He had broken the glass from some old Martian buildings in the hills. “Best hot dogs on two worlds! First man on Mars with a hot-dog stand! The best onions and chili and mustard! You can’t say I’m not alert. Here’s the main highways, over there is the dead city and the mineral deposits. Those trucks from Earth Settlement 101 will have to pass here twenty-four hours a day! Do I know my locations, or don’t I?”
His wife looked at her fingernails.
“You think those ten thousand new-type work rockets will come through to Mars?” she said at last.
“In a month,” he said loudly. “Why you look so funny?”
“I don’t trust those Earth people,” she said. “I’ll believe it when I see them ten thousand rockets arrive with the one hundred thousand Mexicans and Chinese on them.”
“Customers.” He lingered on the word. “One hundred thousand hungry people.”
“If,” said his wife slowly, watching the sky, “there’s no atomic war. I don’t trust no atom bombs. There’s so many of them on Earth now, you never can tell.”
“Ah,” said Sam, and went on sweeping.
From the corners of his eyes he caught a blue flicker. Something floated in the air gently behind him. He heard his wife say, “Sam. A friend of yours to see you.”
Sam whirled to see the mask seemingly floating in the wind.
“So you’re back again!” And Sam held his broom like a weapon.
The mask nodded. It was cut from pale blue glass and was fitted above a thin neck; under which were blowing loose robes of thin yellow silk. From the silk two mesh silver bands appeared. The mask mouth was a slot from which musical sounds issued now as the robes, the mask, the hands increased to a height, decreased.
“Mr. Parkhill, I’ve come back to speak to you again,” the voice said from behind the mask.
“I thought I told you I don’t want you near here!” cried Sam. “Go on, I’ll give you the Disease!”
“I’ve already had the Disease,” said the voice. “I was one of the few survivors. I was sick a long time.”
“Go on and hide in the hills, that’s where you belong, that’s where you’ve been. Why you come on down and bother me? Now, all of a sudden. Twice in one day.”
“We mean you no harm.”
“But I mean you harm!” said Sam, backing up. “I don’t like strangers. I don’t like Martians. I never seen one before. It ain’t natural. All these years you guys hide, and all of a sudden you pick on me. Leave me alone.”
“We come for an important reason,” said the blue mask.
“If it’s about this land, it’s mine. I built this hot-dog stand with my own hands.”
“In a way it is about the land.”
“Look here,” said Sam. “I’m from New York City. Where I come from there’s ten million others just like me. You Martians are a couple dozen left, got no cities, you wander around in the hills, no leaders, no laws, and now you come tell me about this land. Well, the old got to give way to the new. That’s the law of give and take. I got a gun here. After you left this morning I got it out and loaded it.”
“We Martians are telepathic,” said the cold blue mask. “We are in contact with one of your towns across the dead sea. Have you listened on your radio?”
“My radio’s busted.”
“Then you don’t know. There’s big news. It concerns Earth—“
A silver hand gestured. A bronze tube appeared in it.
“Let me show you this.”
“A gun,” cried Sam Parkhill.
An instant later he had yanked his own gun from his hip holster and fired into the mist, the robe, the blue mask.
The mask sustained itself a moment. Then, like a small circus tent pulling up its stakes and dropping soft fold on fold, the silks rustled, the mask descended, the silver claws tinkled on the stone path. The mask lay on a small huddle of silent white bones and material.
Sam stood gasping.
His wife swayed over the huddled pile.
“That’s no weapon,” she said, bending down. She picked up the bronze tube. “He was going to show you a message. It’s all written out in snake-script, all the blue snakes. I can’t read it. Can you?”
“No, that Martian picture writing, it wasn’t anything. Let it go!” Sam glanced hastily around. “There may be others! We’ve got to get him out of sight. Get the shovel!”
“What’re you going to do?”
“Bury him, of course!”
“You shouldn’t have shot him.”
“It was a mistake. Quick!”
Silently she fetched him the shovel.
At eight o’clock he was back sweeping the front of the hotdog stand self-consciously. His wife stood, arms folded, in the bright doorway.
“I’m sorry what happened,” he said. He looked at her, then away. “You know it was purely the circumstances of Fate.”
“Yes,” said his wife.
“I hated like hell to see him take out that weapon.”
“What weapon?”
“Well, I thought it was one! I’m sorry, I’m sorry! How many times do I say it!”
“Ssh,” said Elma, putting one finger to her lips. “Ssh.”
“I don’t care,” he said. “I got the whole Earth Settlements, Inc., back of me!” He snorted. “These Martians won’t dare—“
“Look,” said Elma.
He looked out onto the dead sea bottom. He dropped his broom. He picked it up and his mouth was open, a little free drop of saliva flew on the air, and he was suddenly shivering.
“Elma, Elma, Elma!” he said.
“Here they come,” said Elma.
Across the ancient sea floor a dozen tall, blue-sailed Martian sand ships floated, like blue ghosts, like blue smoke.
“Sand ships! But there aren’t any more, Elma, no more sand ships.”
“Those seem to be sand ships,” she said.
“But the authorities confiscated all of them! They broke them up, sold some at auction! I’m the only one in this whole damn territory’s got one and knows how to run one.”
“Not any more,” she said, nodding at the sea.
“Come on, let’s get out of here!”
“Why?” she asked slowly, fascinated with the Martian vessels.
“They’ll kill me! Get in our truck, quick!”
Elma didn’t move.
He had to drag her around back of the stand where the two machines stood, his truck, which he had used steadily until a month ago, and the old Martian sand ship which he had bid for at auction, smiling, and which, during the last three weeks, he had used to carry supplies back and forth over the glassy sea floor. He looked at his truck now and remembered. The engine was out on the ground; he had been puttering with it for two days.
“The truck don’t seem to be in running condition,” said Elma.
“The sand ship. Get in!”
“And let you drive me in a sand ship? Oh no.”
“Get in! I can do it!”
He shoved her in, jumped in behind her, and flapped the tiller, let the cobalt sail up to take the evening wind.
The stars were bright and the blue Martian ships were skimming across the whispering sands. At first his own ship would not move, then he remembered the sand anchor and yanked it in.
“There!”
The wind hurled the sand ship keening over the dead sea bottom, over long-buried crystals, past upended pillars, past deserted docks of marble and brass, past dead white chess cities, past purple foothills, into distance. The figures of the Martian ships receded and then began to pace Sam’s ship.
“Guess I showed them, by God!” cried Sam. “I’ll report to the Rocket Corporation. They’ll give me protection! I’m pretty quick.”
“They could have stopped you if they wanted,” Elma said tiredly. “They just didn’t bother.”
He laughed. “Come off it. Why should they let me get off? No, they weren’t quick enough, is all.”
“Weren’t they?” Elma nodded behind him.
He did not turn. He felt a cold wind blowing. He was afraid to turn. He felt something in the seat behind him, something as frail as your breath on a cold morning something as blue as hickory-wood smoke at twilight, something like old white lace, something like a snowfall, something like the icy rime of winter on the brittle sedge.
There was a sound as of a thin plate of glass broken—laughter. Then silence. He turned.
The young woman sat at the tiller bench quietly. Her wrists were thin as icicles, her eyes as clear as the moons and as large, steady and white. The wind blew at her and, like an image on cold water, she rippled, silk standing out from her frail body in tatters of blue rain.
“Go back,” she said.
“No.” Sam was quivering, the fine, delicate fear-quivering of a hornet suspended in the air, undecided between fear and hate. “Get off my ship!”
“This isn’t your ship,” said the vision. “It’s old as our world. It sailed the sand seas ten thousand years ago when the seas were whispered away and the docks were empty, and you came and took it, stole it. Now turn it around, go back to the crossroad place. We have need to talk with you. Something important has happened.”
“Get off my ship!” said Sam. He took a gun from his holster with a creak of leather. He pointed it carefully. “Jump off before I count three or—“
“Don’t!” cried the girl. “I won’t hurt you. Neither will the others. We came in peace!”
“One,” said Sam.
“Sam!” said Elma.
“Listen to me,” said the girl.
“Two,” said Sam firmly, cocking the gun trigger.
“Sam!” cried Elma.
“Three,” said Sam.
“We only—“ said the girl.
The gun went off.
In the sunlight, snow melts, crystals evaporate into a steam, into nothing. In the firelight, vapors dance and vanish. In the core of a volcano, fragile things burst and disappear. The girl, in the gunfire, in the heat, in the concussion, folded like a soft scarf, melted like a crystal figurine. What was left of her, ice, snowflake, smoke, blew away in the wind. The tiller seat was empty.
Sam holstered his gun and did not look at his wife.
“Sam,” she said after a minute more of traveling, whispering over the moon-colored sea of sand, “stop the ship.”
He looked at her and his face was pale. “No, you don’t. Not after all this time, you’re not pulling out on me.”
She looked at his hand on his gun. “I believe you would,” she said. “You actually would.”
He jerked his head from side to side, hand tight on the tiller bar. “Elma, this is crazy. We’ll be in town in a minute, we’ll be okay!”
“Yes,” said his wife, lying back cold in the ship.
“Elma, listen to me.”
“There’s nothing to hear, Sam.”
“Elma!”
They were passing a little white chess city, and in his frustration, in his rage, he sent six bullets crashing among the crystal towers. The city dissolved in a shower of ancient glass and splintered quartz. It fell away like carved soap, shattered. It was no more. He laughed and fired again, and one last tower, one last chess piece, took fire, ignited, and in blue flinders went up to the stars.
“I’ll show them! I’ll show everybody!”
“Go ahead, show us, Sam.” She lay in the shadows.
“Here comes another city!” Sam reloaded his gun. “Watch me fix it!”
The blue phantom ships loomed up behind them, drawing steadily apace. He did not see them at first. He was only aware of a whistling and a high windy screaming, as of steel on sand, and it was the sound of the sharp razor prows of the sand ships preening the sea bottoms, their red pennants, blue pennants unfurled. In the blue light ships were blue dark images, masked men, men with silvery faces, men with blue stars for eyes, men with carved golden ears, men with tinfoil cheeks and ruby-studded lips, men with arms folded, men following him, Martian men.
One, two, three. Sam counted. The Martian ships closed in.
“Elma, Elma, I can’t hold them all off!”
Elma did not speak or rise from where she had slumped.
Sam fired his gun eight times. One of the sand ships fell apart, the sail, the emerald body, the bronze hull points, the moon-white tiller, and all the separate images in it. The masked men, all of them, dug into the sand and separated out into orange and then smoke-flame.
But the other ships closed in.
“I’m outnumbered, Elma!” he cried. “They’ll kill me!”
He threw out the anchor. It was no use. The sail fluttered down, folding unto itself, sighing. The ship stopped. The wind stopped. Travel stopped. Mars stood still as the majestic vessels of the Martians drew around and hesitated over him.
“Earth man,” a voice called from a high seat somewhere. A silverine mask moved. Ruby-rimmed lips glittered with the words.
“I didn’t do anything!” Sam looked at all the faces, one hundred in all, that surrounded him. There weren’t many Martians left on Mars—one hundred, one hundred and fifty, all told. And most of them were here now, on the dead seas, in their resurrected ships, by their dead chess cities, one of which had just fallen like some fragile vase hit by a pebble. The silverine masks glinted.
“It was all a mistake,” he pleaded, standing out of his ship, his wife slumped behind him in the deeps of the hold, like a dead woman. “I came to Mars like any honest enterprising businessman. I took some surplus material from a rocket that crashed and I built me the finest little stand you ever saw right there on that land by the crossroads—you know where it is. You’ve got to admit it’s a good job of building.” Sam laughed, staring around. “And that Martian—I know he was a friend of yours—came. His death was an accident, I assure you. All I wanted to do was have a hot-dog stand, the only one on Mars, the first and most important one. You understand how it is? I was going to serve the best darned hot dogs there, with chili and onions and orange juice.”
The silver masks did not move. They burned in the moonlight. Yellow eyes shone upon Sam. He felt his stomach clench in, wither, become a rock. He threw his gun in the sand.
“I give up.”
“Pick up your gun,” said the Martians in chorus.
“What?”
“Your gun.” A jeweled hand waved from the prow of a blue ship. “Pick it up. Put it away.”
Unbelieving he picked up the gun.
“Now,” said the voice, “turn your ship and go back to your stand.”
“Now?”
“Now,” said the voice. “We will not harm you. You ran away before we were able to explain. Come.”
Now the great ships turned as lightly as moon thistles. Their wing-sails flapped with a sound of soft applause on the air, The masks were coruscating, turning, firing the shadows.
“Elma!” Sam tumbled into the ship. “Get up, Elma. We’re going back.” He was excited. He almost gibbered with relief. “They aren’t going to hurt me, kill me, Elma. Get up, honey, get up.”
“What—what?” Elma blinked around and slowly, as the ship was sent into the wind again, she helped herself, as in a dream, back up to a seat and slumped there like a sack of stones, saying no more.
The sand slid under the ship. In half an hour they were back at the crossroads, the ships planted, all of them out of the ships.
The Leader stood before Sam and Elma, his mask beaten of polished bronze, the eyes only empty slits of endless blue-black, the mouth a slot out of which words drifted into the wind.
“Ready your stand,” said the voice. A diamond-gloved hand waved. “Prepare the viands, prepare the foods, prepare the strange wines, for tonight is indeed a great night!”
“You mean,” said Sam, “you’ll let me stay on here?”
“Yes.”
“You’re not mad at me?”
The mask was rigid and carved and cold and sightless.
“Prepare your place of food,” said the voice softly. “And take this.”
“What is it?”
Sam blinked at the silver-foil scroll that was handed him, upon which, in hieroglyph, snake figures danced.
“It is the land grant to all of the territory from the silver mountains to the blue hills, from the dead salt sea there to the distant valleys of moonstone and emerald,” said the Leader.
“M-mine?” said Sam, incredulous.
“Yours.”
“One hundred thousand miles of territory?”
“Yours.”
“Did you hear that, Elma?”
Elma was sitting on the ground, leaning against the aluminum hot-dog stand, eyes shut.
“But why, why—why are you giving me all this?” asked Sam, trying to look into the metal slots of the eyes.
“That is not all. Here.” Six other scrolls were produced. The names were declared, the territories announced.
“Why, that’s half of Mars! I own half of Mars!” Sam rattled the scrolls in his fists. He shook them at Elma, insane with laughing. “Elma, did you hear?”
“I heard,” said Elma, looking at the sky.
She seemed to be watching for something. She was becoming a little more alert now.
“Thank you, oh, thank you,” said Sam to the bronze mask.
“Tonight is the night,” said the mask. “You must be ready.”
“I will be. What it is—a surprise? Are the rockets coming through earlier than we thought, a month earlier from Earth? All ten thousand rockets, bringing the settlers, the miners, the workers and their wives, all hundred thousand of them? Won’t that be swell, Elma? You see, I told you. I told you, that town there won’t always have just one thousand people in it. There’ll be fifty thousand more coming, and the month after that a hundred thousand more, and by the end of the year five million Earth Men. And me with the only hot-dog stand staked out on the busiest highway to the mines!”
The mask floated on the wind. “We leave you. Prepare. The land is yours.”
In the blowing moonlight, like metal petals of some ancient flower, like blue plumes, like cobalt butterflies immense and quiet, the old ships turned and moved over the shifting sands, the masks beaming and glittering, until the last shine, the last blue color, was lost among the hills.
“Elma, why did they do it? Why didn’t they kill me? Don’t they know anything? What’s wrong with them? Elma, do you understand?” He shook her shoulder. “I own half of Mars!”
She watched the night sky, waiting.
“Come on,” he said. “We’ve got to get the place fixed. All the hot dogs boiling, the buns warm, the chili cooking, the onions peeled and diced, the relish laid out, the napkins in the dips, the place spotless! Hey!” He did a little wild dance, kicking his heels. “Oh boy, I’m happy; yes, sir, I’m happy,” he sang off key. “This is my lucky day!”
He boiled the hot dogs, cut the buns, sliced the onions in a frenzy.
“Just think, that Martian said a surprise. That can only mean one thing, Elma. Those hundred thousand people coming in ahead of schedule, tonight, of all nights! We’ll be flooded! We’ll work long hours for days, what with tourists riding around seeing things, Elma. Think of the money!”
He went out and looked at the sky. He didn’t see anything.
“In a minute, maybe,” he said, snuffing the cool air gratefully, arms up, beating his chest. “Ah!”
Elma said nothing. She peeled potatoes for French fries quietly, her eyes always on the sky.
“Sam,” she said half an hour later. “There it is. Look.”
He looked and saw it.
Earth.
It rose full and green, like a fine-cut stone, above the hills.
“Good old Earth,” he whispered lovingly. “Good old wonderful Earth. Send me your hungry and your starved. Something something—how does that poem go? Send me your hungry, old Earth. Here’s Sam Parkhill, his hot dogs all boiled, his chili cooking, everything neat as a pin. Come on, you Earth, send me your rocket!”
He went out to look at his place. There it sat, perfect as a fresh-laid egg on the dead sea bottom, the only nucleus of light and warmth in hundreds of miles of lonely wasteland. It was like a heart beating alone in a great dark body. He felt almost sorrowful with pride, gazing at it with wet eyes.
“It sure makes you humble,” he said among the cooking odors of wieners, warm buns, rich butter. “Step up,” he invited the various stars in the sky. “Who’ll be the first to buy?”
“Sam,” said Elma.
Earth changed in the black sky.
It caught fire.
Part of it seemed to come apart in a million pieces, as if a gigantic jigsaw had exploded. It burned with an unholy dripping glare for a minute, three times normal size, then dwindled.
“What was that?” Sam looked at the green fire in the sky.
“Earth,” said Elma, holding her hands together.
“That can’t be Earth, that’s not Earth! No, that ain’t Earth! It can’t be.”
“You mean it couldn’t be Earth,” said Elma, looking at him. “That just isn’t Earth. No, that’s not Earth; is that what you mean?”
“Not Earth—oh no, it couldn’t be,” he wailed.
He stood there, his hands at his sides, his mouth open, his eyes wide and dull, not moving.
“Sam.” She called his name. For the first time in days her eyes were bright. “Sam?”
He looked up at the sky.
“Well,” she said. She glanced around for a minute or so in silence. Then briskly she flapped a wet towel over her arm. “Switch on more lights, turn up the music, open the doors, There’ll be another batch of customers along in about a million years. Gotta be ready, yes, sir.”
Sam did not move.
“What a swell spot for a hot-dog stand,” she said. She reached over and picked a toothpick out of a jar and put it between her front teeth. “Let you in on a little secret, Sam,” she whispered, leaning toward him. “This looks like it’s going to be an off season.”
They all came out and looked at the sky that night. They left their suppers or their washing up or their dressing for the show and they came out upon their now-not-quite-as-new porches and watched the green star of Earth there. It was a move without conscious effort; they all did it, to help them understand the news they had heard on the radio a moment before. There was Earth and there the coming war, and there hundreds of thousands of mothers or grandmothers or fathers or brothers or aunts or uncles or cousins. They stood on the porches and tried to believe in the existence of Earth, much as they had once tried to believe in the existence of Mars; it was a problem reversed. To all intents and purposes, Earth now was dead; they had been away from it for three or four years. Space was an anesthetic; seventy million miles of space numbed you, put memory to sleep, depopulated Earth, erased the past, and allowed these people here to go on with their work. But now, tonight, the dead were risen, Earth was reinhabited, memory awoke, a million names were spoken: What was so-and-so doing tonight on Earth? What about this one and that one? The people on the porches glanced sidewise at each other’s faces.
At nine o’clock Earth seemed to explode, catch fire, and burn.
The people on the porches put up their hands as if to beat the fire out.
They waited.
By midnight the fire was extinguished. Earth was still there. There was a sigh, like an autumn wind, from the porches.
“We haven’t heard from Harry for a long time.”
“He’s all right.”
“We should send a message to Mother.”
“She’s all right.”
“_Is_ she?”
“Now, don’t worry.”
“Will she be all right, do you think?”
“Of course, of course; now come to bed.”
But nobody moved. Late dinners were carried out onto the night lawns and set upon collapsible tables, and they picked at these slowly until two o’clock and the light-radio message flashed from Earth. They could read the great Morse-code flashes which flickered like a distant firefly:
AUSTRALIAN CONTINENT ATOMIZED IN PREMATURE
EXPLOSION OF ATOMIC STOCKPILE. LOS ANGELES,
LONDON BOMBED. WAR. COME HOME. COME HOME.
COME HOME.
They stood up from their tables.
COME HOME. COME HOME. COME HOME.
“Have you heard from your brother Ted this year?”
“You know. With mail rates five bucks a letter to Earth, I don’t write much.”
COME HOME.
“I’ve been wondering about Jane; you remember Jane, my kid sister?”
COME HOME.
At three in the chilly morning the luggage-store proprietor glanced up. A lot of people were coming down the street.
“Stayed open late on purpose. What’ll it be, mister?”
By dawn the luggage was gone from his shelves.
There was a little white silent town on the edge of the dead Martian sea. The town was empty. No one moved in it. Lonely lights burned in the stores all day. The shop doors were wide, as if people had run off without using their keys. Magazines, brought from Earth on the silver rocket a month before, fluttered, untouched, burning brown, on wire racks fronting the silent drugstores.
The town was dead. Its beds were empty and cold. The only sound was the power hum of electric lines and dynamos, still alive, all by themselves. Water ran in forgotten bathtubs, poured out into living rooms, onto porches, and down through little garden plots to feed neglected flowers. In the dark theaters, gum under the many seats began to harden with tooth impressions still in it.
Across town was a rocket port. You could still smell the hard, scorched smell where the last rocket blasted off when it went back to Earth. If you dropped a dime in the telescope and pointed it at Earth, perhaps you could see the big war happening there. Perhaps you could see New York explode. Maybe London could be seen, covered with a new kind of fog. Perhaps then it might be understood why this small Martian town is abandoned. How quick was the evacuation? Walk in any store, bang the NO SALE key. Cash drawers jump out, all bright and jingly with coins. That war on Earth must be very bad ...
Along the empty avenues of this town, now whistling softly, kicking a tin can ahead of him in deepest concentration, came a tall, thin man. His eyes glowed with a dark, quiet look of loneliness. He moved his bony hands in his pockets, which were tinkling with new dimes. Occasionally he tossed a dime to the ground. He laughed temperately, doing this, and walked on, sprinkling bright dimes everywhere.
His name was Walter Gripp. He had a placer mine and a remote shack far up in the blue Martian hills and he walked to town once every two weeks to see if he could marry a quiet and intelligent woman. Over the years he had always returned to his shack, alone and disappointed. A week ago, arriving in town, he had found it this way!
That day he had been so surprised that he rushed to a delicatessen, flung wide a case, and ordered a triple-decker beef sandwich.
“Coming up!” he cried, a towel on his arm.
He flourished meats and bread baked the day before, dusted a table, invited himself to sit, and ate until he had to go find a soda fountain, where he ordered a bicarbonate. The druggist, being one Walter Gripp, was astoundingly polite and fizzed one right up for him!
He stuffed his jeans with money, all he could find. He loaded a boy’s wagon with ten-dollar bills and ran lickety-split through town. Reaching the suburbs, he suddenly realized how shamefully silly he was. He didn’t need money. He rode the ten-dollar bills back to where he’d found them, counted a dollar from his own wallet to pay for the sandwiches, dropped it in the delicatessen till, and added a quarter tip.
That night he enjoyed a hot Turkish bath, a succulent filet carpeted with delicate mushrooms, imported dry sherry, and strawberries in wine. He fitted himself for a new blue flannel suit, and a rich gray Homburg which balanced oddly atop his gaunt head. He slid money into a juke box which played “That Old Gang of Mine.” He dropped nickels in twenty boxes all over town. The lonely streets and the night were full of the sad music of “That Old Gang of Mine” as he walked, tall and thin and alone, his new shoes clumping softly, his cold hands in his pockets.
But that was a week past. He slept in a good house on Mars Avenue, rose mornings at nine, bathed, and idled to town for ham and eggs. No morning passed that he didn’t freeze a ton of meats, vegetables, and lemon cream pies, enough to last ten years, until the rockets came back from Earth, if they ever came.
Now, tonight, he drifted up and down, seeing the wax women in every colorful shop window, pink and beautiful. For the first time he knew how dead the town was. He drew a glass of beer and sobbed gently.
“Why,” he said, “I’m all alone.”
He entered the Elite Theater to show himself a film, to distract his mind from his isolation. The theater was hollow, empty, like a tomb with phantoms crawling gray and black on the vast screen. Shivering, he hurried from the haunted place.
Having decided to return home, he was striking down the middle of a side street, almost running, when he heard the phone.
He listened.
“Phone ringing in someone’s house.”
He proceeded briskly.
“Someone should answer that phone,” he mused.
He sat on a curb to pick a rock from his shoe, idly.
“Someone!” he screamed, leaping. “Me! Good lord, what’s wrong with me!” he shrieked. He whirled. Which house? That one!
He raced over the lawn, up the steps, into the house, down a dark hall.
He yanked up the receiver.
“Hello!” he cried.
Buzzzzzzzzz.
“Hello, hello!”
They had hung up.
“Hello!” he shouted, and banged the phone. “You stupid idiot!” he cried to himself. “Sitting on that curb, you fool! Oh, you damned and awful fool!” He squeezed the phone. “Come on, ring again! Come on!”
He had never thought there might be others left on Mars. In the entire week he had seen no one. He had figured that all other towns were as empty as this one.
Now, staring at this terrible little black phone, he trembled. Interlocking dial systems connected every town on Mars. From which of thirty cities had the call come?
He didn’t know.
He waited. He wandered to the strange kitchen, thawed some iced huckleberries, ate them disconsolately.
“There wasn’t anyone on the other end of that call,” he murmured. “Maybe a pole blew down somewhere and the phone rang by itself.”
But hadn’t he heard a click, which meant someone had hung up far away?
He stood in the hall the rest of the night. “Not because of the phone,” he told himself. “I just haven’t anything else to do.”
He listened to his watch tick.
“She won’t phone back,” he said. “She won’t ever call a number that didn’t answer. She’s probably dialing other houses in town right now! And here I sit—Wait a minute!” He laughed. “Why do I keep saying ‘she’?”
He blinked. “It could as easily be a ‘he,’ couldn’t it?”
His heart slowed. He felt very cold and hollow.
He wanted very much for it to be a “she.”
He walked out of the house and stood in the center of the early, dim morning street.
He listened. Not a sound. No birds. No cars. Only his heart beating. Beat and pause and beat again. His face ached with strain. The wind blew gently, oh so gently, flapping his coat.
“Sh,” he whispered. “_Listen_.”
He swayed in a slow circle, turning his head from one silent house to another.
She’ll phone more and more numbers, he thought. It must be a woman. Why? Only a woman would call and call. A man wouldn’t. A man’s independent. Did I phone anyone? No! Never thought of it. It must be a woman. It has to be, by God!
Listen.
Far away, under the stars, a phone rang.
He ran. He stopped to listen. The ringing, soft. He ran a few more steps. Louder. He raced down an alley. Louder still! He passed six houses, six more. Much louder! He chose a house and its door was locked.
The phone rang inside.
“Damn you!” He jerked the doorknob.
The phone screamed.
He heaved a porch chair through a parlor window, leaped in after it.
Before he even touched the phone, it was silent.
He stalked through the house then and broke mirrors, tore down drapes, and kicked in the kitchen stove.
Finally, exhausted, he picked up the thin directory which listed every phone on Mars. Fifty thousand names.
He started with number one.
Amelia Ames. He dialed her number in New Chicago, one hundred miles over the dead sea.
No answer.
Number two lived in New New York, five thousand miles across the blue mountains.
No answer.
He called three, four, five, six, seven, eight, his fingers jerking, unable to grip the receiver.
A woman’s voice answered, “Hello?”
Walter cried back at her, “Hello, oh lord, hello!”
“This is a recording,” recited the woman’s voice. “Miss Helen Arasumian is not home. Will you leave a message on the wire spool so she may call you when she returns? Hello? This is a recording. Miss Arasumian is not home. Will you leave a message—“
He hung up.
He sat with his mouth twitching.
On second thought he redialed that number.
“When Miss Helen Arasumian comes home,” he said, “tell her to go to hell.”
He phoned Mars Junction, New Boston, Arcadia, and Roosevelt City exchanges, theorizing that they would be logical places for persons to dial from; after that he contacted local city halls and other public institutions in each town. He phoned the best hotels. Leave it to a woman to put herself up in luxury.
Suddenly he stopped, clapped his hands sharply together, and laughed. Of course! He checked the directory and dialed a long-distance call through to the biggest beauty parlor in New Texas City. If ever there was a place where a woman would putter around, patting mud packs on her face and sitting under a drier, it would be a velvet-soft, diamond-gem beauty parlor!
The phone rang. Someone at the other end lifted the receiver.
A woman’s voice said, “Hello?”
“If this is a recording,” announced Walter Gripp, “I’ll come over and blow the place up.”
“This isn’t a record,” said the woman’s voice. “Hello! Oh, hello, there is someone alive! Where are you?” She gave a delighted scream.
Walter almost collapsed. “_You!_’ He stood up jerkily, eyes wild. “Good lord, what luck, what’s your name?”
“Genevieve Selsor!” She wept into the receiver. “Oh, I’m so glad to hear from you, whoever you are!”
“Walter Gripp!”
“Walter, hello, Walter!”
“Hello, Genevieve!”
“Walter. It’s such a nice name. Walter, Walter!”
“Thank you.”
“Walter, where are you?”
Her voice was so kind and sweet and fine. He held the phone tight to his ear so she could whisper sweetly into it. He felt his feet drift off the floor. His cheeks burned.
“I’m in Marlin Village,” he said. “I—“
Buzz.
“Hello?” he said.
Buzz.
He jiggled the hook. Nothing.
Somewhere a wind had blown down a pole. As quickly as she had come, Genevieve Selsor was gone.
He dialed, but the line was dead.
“I know where she is, anyway.” He ran out of the house. The sun was rising as he backed a bettle-car from the stranger’s garage, filled its backseat with food from the house, and set out at eighty miles an hour down the highway, heading for New Texas City. A thousand miles, he thought. Genevieve Selsor, sit tight, you’ll hear from me!
He honked his horn on every turn out of town.
At sunset, after an impossible day of driving, he pulled to the roadside, kicked off his tight shoes, laid himself out in the seat, and slid the gray Homburg over his weary eyes. His breathing became slow and regular. The wind blew and the stars shone gently upon him in the new dusk. The Martian mountains lay all around, millions of years old. Starlight glittered on the spires of a little Martian town, no bigger than a game of chess, in the blue hills.
He lay in the half-place between awakeness and dreams. He whispered. Genevieve. Oh, Genevieve, sweet Genevieve, he sang softly, the years may come, the years may go. But Genevieve, sweet Genevieve .... There was a warmth in him. He heard her quiet sweet cool voice singing. Hello, oh, hello, Walter! This is no record. Where are you, Walter, where are you?
He sighed, putting up a hand to touch her in the moonlight. Long dark hair shaking in the wind; beautiful, it was. And her lips like red peppermints. And her cheeks like fresh-cut wet roses. And her body like a clear vaporous mist, while her soft cool sweet voice crooned to him once more the words to the old sad song, Oh, Genevieve, sweet Genevieve, the years may come, the years may go ...
He slept.
He reached New Texas City at midnight.
He halted before the Deluxe Beauty Salon, yelling.
He expected her to rush out, all perfume, all laughter.
Nothing happened.
“She’s asleep.” He walked to the door. “Here I am!” he called. “Hello, Genevieve!”
The town lay in double moonlit silence. Somewhere a wind flapped a canvas awning.
He swung the glass door wide and stepped in.
“Hey!” He laughed uneasily. “Don’t hide! I know you’re here!”
He searched every booth.
He found a tiny handkerchief on the floor. It smelled so good he almost lost his balance. “Genevieve,” he said.
He drove the car through the empty streets but saw nothing. “If this is a practical joke ... ”
He slowed the car. “Wait a minute. We were cut off. Maybe she drove to Marlin Village while I was driving here! She probably took the old Sea Road. We missed each other during the day. How’d she know I’d come get her? I didn’t say I would. And she was so afraid when the phone died that she rushed to Marlin Village to find me! And here I am, by God, what a fool I am!”
Giving the horn a blow, he shot out of town.
He drove all night. He thought, What if she isn’t in Marlin Village waiting, when I arrive?
He wouldn’t think of that. She must be there. And he would run up and hold her and perhaps even kiss her, once, on the lips.
Genevieve, sweet Genevieve, he whistled, stepping it up to one hundred miles an hour.
Marlin Village was quiet at dawn. Yellow lights were still burning in several stores, and a juke box that had played steadily for one hundred hours finally, with a crackle of electricity, ceased, making the silence complete. The sun warmed the streets and warmed the cold and vacant sky.
Walter turned down Main Street, the car lights still on, honking the horn a double toot, six times at one corner, six times at another. He peered at the store names. His face was white and tired, and his hands slid on the sweaty steering wheel.
“Genevieve!” he called in the empty street.
The door to a beauty salon opened.
“Genevieve!” He stopped the car.
Genevieve Selsor stood in the open door of the salon as he ran across the street. A box of cream chocolates lay open in her arms. Her fingers, cuddling it, were plump and pallid. Her face, as he stepped into the light, was round and thick, and her eyes were like two immense eggs stuck into a white mess of bread dough. Her legs were as big around as the stumps of trees, and she moved with an ungainly shuffle. Her hair was an indiscriminate shade of brown that had been made and remade, it appeared, as a nest for birds. She had no lips at all and compensated this by stenciling on a large red, greasy mouth that now popped open in delight, now shut in sudden alarm. She had plucked her brows to thin antenna lines.
Walter stopped. His smile dissolved. He stood looking at her.
She dropped her candy box to the sidewalk.
“Are you—Genevieve Selsor?” His ears rang.
“Are you Walter Griff?” she asked.
“Gripp.”
“Gripp,” she corrected herself.
“How do you do,” he said with a restrained voice.
“How do you do.” She shook his hand.
Her fingers were sticky with chocolate.
“Well,” said Walter Gripp.
“What?” asked Genevieve Selsor.
“I just said, ‘Well,’” said Walter.
“Oh.”
It was nine o’clock at night. They had spent the day picnicking, and for supper he had prepared a filet mignon which she didn’t like because it was too rare, so he broiled it some more and it was too much broiled or fried or something. He laughed and said, “We’ll see a movie!” She said okay and put her chocolaty fingers on his elbow. But all she wanted to see was a fifty-year-old film of Clark Gable. “Doesn’t he just kill you?” She giggled. “Doesn’t he kill you, now?” The film ended. “Run it off again,” she commanded. “Again?” he asked. “Again,” she said. And when he returned she snuggled up and put her paws all over him. “You’re not quite what I expected, but you’re nice,” she admitted. “Thanks,” he said, swallowing. “Oh, that Gable,” she said, and pinched his leg. “Ouch,” he said.
After the film they went shopping down the silent streets. She broke a window and put on the brightest dress she could find. Dumping a perfume bottle on her hair, she resembled a drowned sheep dog. “How old are you?” he inquired. “Guess.” Dripping, she led him down the street. “Oh, thirty,” he said. “Well,” she announced stiffly, “I’m only twenty-seven, so there!
“Here’s another candy store!” she said. “Honest, I’ve led the life of Reilly since everything exploded. I never liked my folks, they were fools. They left for Earth two months ago. I was supposed to follow on the last rocket, but I stayed on; you know why?”
“Why?”
“Because everyone picked on me. So I stayed where I could throw perfume on myself all day and drink ten thousand malts and eat candy without people saying, ‘Oh, that’s full of calories!’ So here I am!”
“Here you are.” Walter shut his eyes.
“It’s getting late,” she said, looking at him.
“Yes.”
“I’m tired,” she said.
“Funny. I’m wide awake.”
“Oh,” she said.
“I feel like staying up all night,” he said. “Say, there’s a good record at Mike’s. Come on, I’ll play it for you.”
“I’m tired.” She glanced up at him with sly, bright eyes.
“I’m very alert,” he said. “Strange.”
“Come back to the beauty shop,” she said. “I want to show you something.”
She took him in through the glass door and walked him over to a large white box. “When I drove from Texas City,” she said, “I brought this with me.” She untied the pink ribbon. “I thought: Well, here I am, the only lady on Mars, and here is the only man, and, well ... ” She lifted the lid and folded back crisp layers of whispery pink tissue paper. She gave it a pat. “There.”
Walter Gripp stared.
“What is it?” he asked, beginning to tremble.
“Don’t you know, silly? It’s all lace and all white and all fine and everything.”
“No, I don’t know what it is.”
“It’s a wedding dress, silly!”
“Is it?” His voice cracked.
He shut his eyes. Her voice was still soft and cool and sweet, as it had been on the phone. But when he opened his eyes and looked at her ...
He backed up. “How nice,” he said.
“Isn’t it?”
“Genevieve.” He glanced at the door.
“Yes?”
“Genevieve, I’ve something to tell you.”
“Yes?” She drifted toward him, the perfume smell thick about her round white face.
“The thing I have to say to you is ... ” he said.
“Yes?”
“Good-by!”
And he was out the door and into his car before she could scream.
She ran and stood on the curb as he swung the car about.
“Walter Griff, come back here!” she wailed, flinging up her arms.
“Gripp,” he corrected her.
“Gripp!” she shouted.
The car whirled away down the silent street, regardless of her stompings and shriekings. The exhaust from it fluttered the white dress she crumpled in her plump hands, and the stars shone bright, and the car vanished out onto the desert and away into blackness.
He drove all night and all day for three nights and days. Once he thought he saw a car following, and he broke into a shivering sweat and took another highway, cutting off across the lonely Martian world, past little dead cities, and he drove and drove for a week and a day, until he had put ten thousand miles between himself and Marlin Village. Then he pulled into a small town named Holtville Springs, where there were some tiny stores he could light up at night and restaurants to sit in, ordering meals. And he’s lived there ever since, with two deep freezes packed with food to last him one hundred years, and enough cigars to last ten thousand days, and a good bed with a soft mattress.
And when once in a while over the long years the phone rings—he doesn’t answer.
Whenever the wind came through the sky, he and his small family would sit in the stone hut and warm their hands over a wood fire. The wind would stir the canal waters and almost blow the stars out of the sky, but Mr. Hathaway would sit contented and talk to his wife, and his wife would reply, and he would speak to his two daughters and his son about the old days on Earth, and they would all answer neatly.
It was the twentieth year after the Great War. Mars was a tomb, planet. Whether or not Earth was the same was a matter for much silent debate for Hathaway and his family on the long Martian nights.
This night one of the violent Martian dust storms had come over the low Martian graveyards, blowing through ancient towns and tearing away the plastic walls of the newer, American-built city that was melting down into the sand, desolated.
The storm abated. Hathaway went out into the cleared weather to see Earth burning green on the windy sky. He put his hand up as one might reach to adjust a dimly burning globe in the ceiling of a dark room. He looked across the long-dead sea bottoms. Not another living thing on this entire planet, he thought. Just myself. And them. He looked back within the stone hut.
What was happening on Earth now? He had seen no visible sign of change in Earth’s aspect through his thirty-inch telescope. Well, he thought, I’m good for another twenty years if I’m careful. Someone might come. Either across the dead seas or out of space in a rocket on a little thread of red flame.
He called into the hut, “I’m going to take a walk.”
“All right,” his wife said.
He moved quietly down through a series of ruins. “Made in New York,” he read from a piece of metal as he passed. “And all these things from Earth will be gone long before the old Martian towns.” He looked toward the fifty-centuries-old village that lay among the blue mountains.
He came to a solitary Martian graveyard, a series of small hexagonal stones on a hill swept by the lonely wind.
He stood looking down at four graves with crude wooden crosses on them, and names. Tears did not come to his eyes. They had dried long ago.
“Do you forgive me for what I’ve done?” he asked of the crosses. “I was very much alone. You do understand, don’t you?”
He returned to the stone hut and once more, just before going in, shaded his eyes, searching the black sky.
“You keep waiting and waiting and looking,” he said, “and one night, perhaps—“
There was a tiny red flame on the sky.
He stepped away from the light of the hut.
“—and you look again,” he whispered.
The tiny red flame was still there.
“It wasn’t there last night,” he whispered.
He stumbled and fell, picked himself up, ran behind the hut, swiveled the telescope, and pointed it at the sky.
A minute later, after a long wild staring, he appeared in the low door of the hut. The wife and the two daughters and the son turned their heads to him. Finally he was able to speak
“I have good news,” he said. “I have looked at the sky. A rocket is coming to take us all home. It will be here in the early morning.”
He put his hands down and put his head into his hands and began to cry gently.
He burned what was left of New New York that morning at three.
He took a torch and moved into the plastic city and with the flame touched the walls here or there. The city bloomed up in great tosses of heat and light. It was a square mile of illumination, big enough to be seen out in space. It would beckon the rocket down to Mr. Hathaway and his family.
His heart beating rapidly with pain, he returned to the hut. “See?” He held up a dusty bottle into the light. “Wine I saved, just for tonight. I knew that some day someone would find us! We’ll have a drink to celebrate!”
He poured five glasses full.
“It’s been a long time,” he said, gravely looking into his drink. “Remember the day the war broke? Twenty years and seven months ago. And all the rockets were called home from Mars. And you and I and the children were out in the mountains, doing archaeological work, research on the ancient surgical methods of the Martians. We ran our horses, almost killing them, remember? But we got here to the city a week late. Everyone was gone. America had been destroyed; every rocket had left without waiting for stragglers, remember, remember? And it turned out we were the only ones left? Lord, Lord, how the years pass. I couldn’t have stood it without you here, all of you. I’d have killed myself without you. But with you, it was worth waiting. Here’s to us, then.” He lifted his glass. “And to our long wait together.” He drank.
The wife and the two daughters and the son raised their glasses to their lips.
The wine ran down over the chins of all four of them.
By morning the city was blowing in great black soft flakes across the sea bottom. The fire was exhausted, but it had served its purpose; the red spot on the sky grew larger.
From the stone hut came the rich brown smell of baked gingerbread. His wife stood over the table, setting down the hot pans of new bread as Hathaway entered. The two daughters were gently sweeping the bare stone floor with stiff brooms, and the son was polishing the silverware.
“We’ll have a huge breakfast for them,” laughed Hathaway. “Put on your best clothes!”
He hurried across his land to the vast metal storage shed. Inside was the cold-storage unit and power plant he had repaired and restored with his efficient, small, nervous fingers over the years, just as he had repaired clocks, telephones, and spool recorders in his spare time. The shed was full of things he had built, some senseless mechanisms the functions of which were a mystery even to himself now as he looked upon them.
From the deep freeze he fetched rimed cartons of beans and strawberries, twenty years old. Lazarus come forth, he thought, and pulled out a cool chicken.
The air was full of cooking odors when the rocket landed.
Like a boy, Hathaway raced down the hill. He stopped once because of a sudden sick pain in his chest. He sat on a rock to regain his breath, then ran all the rest of the way.
He stood in the hot atmosphere generated by the fiery rocket. A port opened. A man looked down.
Hathaway shielded his eyes and at last said, “Captain Wilder!”
“Who is it?” asked Captain Wilder, and jumped down and stood there looking at the old man. He put his hand out. “Good lord, it’s Hathaway!”
“That’s right.” They looked into each other’s faces.
“Hathaway, from my old crew, from the Fourth Expedition.”
“It’s been a long time, Captain.”
“Too long. It’s good to see you.”
“I’m old,” said Hathaway simply.
“I’m not young myself any more. I’ve been out to Jupiter and Saturn and Neptune for twenty years.”
“I heard they had kicked you upstairs so you wouldn’t interfere with colonial policy here on Mars.” The old man looked around. “You’ve been gone so long you don’t know what’s happened—“
Wilder said, “I can guess. We’ve circled Mars twice. Found only one other man, name of Walter Gripp, about ten thousand miles from here, We offered to take him with us, but he said no. The last we saw of him he was sitting in the middle of the highway in a rocking chair, smoking a pipe, waving to us. Mars is pretty well dead, not even a Martian alive. What about Earth?”
“You know as much as I do. Once in a while I get the Earth radio, very faintly. But it’s always in some other language. I’m sorry to say I only know Latin. A few words come through. I take it most of Earth’s a shambles, but the war goes on. Are you going back, sir?”
“Yes. We’re curious, of course. We had no radio contact so far out in space. We’ll want to see Earth, no matter what.”
“You’ll take us with you?”
The captain started. “Of course, your wife, I remember her. Twenty-five years ago, wasn’t it? When they opened First Town and you quit the service and brought her up here. And there were children—“
“My son and two daughters.”
“Yes, I remember. They’re here?”
“Up at our hut. There’s a fine breakfast waiting all of you up the hill. Will you come?”
“We would be honored, Mr. Hathaway.” Captain Wilder called to the rocket, “Abandon ship!”
They walked up the hill, Hathaway and Captain Wilder, the twenty crew members following taking deep breaths of the thin, cool morning air. The sun rose and it was a good day.
“Do you remember Spender, Captain?”
“I’ve never forgotten him.”
“About once a year I walk up past his tomb. It looks like he got his way at last. He didn’t want us to come here, and I suppose he’s happy now that we’ve all gone away.”
“What about—what was his name?--Parkhill, Sam Parkhill?”
“He opened a hot-dog stand.”
“It sounds just like him.”
“And went back to Earth the next week for the war.” Hathaway put his hand to his chest and sat down abruptly upon a boulder, “I’m sorry. The excitement. Seeing you again after all these years. Have to rest.” He felt his heart pound. He counted the beats. It was very bad.
“We’ve a doctor,” said Wilder. “Excuse me, Hathaway, I know you are one, but we’d better check you with our own—“ The doctor was summoned.
“I’ll be all right,” insisted Hathaway. “The waiting, the excitement.” He could hardly breathe. His lips were blue. “You know,” he said as the doctor placed a stethoscope to him, “it’s as if I kept alive all these years just for this day, and now you’re here to take me back to Earth, I’m satisfied and I can just lie down and quit.”
“Here.” The doctor handed him a yellow pellet. “We’d better let you rest.”
“Nonsense. Just let me sit a moment. It’s good to see all of you. Good to hear new voices again.”
“Is the pellet working?”
“Fine. Here we go!”
They walked on up the hill.
“Alice, come see who’s here!”
Hathaway frowned and bent into the hut. “Alice, did you hear?”
His wife appeared. A moment later the two daughters, tall and gracious, came out, followed by an even taller son.
“Alice, you remember Captain Wilder?”
She hesitated and looked at Hathaway as if for instructions and then smiled. “Of course, Captain Wilder!”
“I remember, we had dinner together the night before I took off for Jupiter, Mrs. Hathaway.”
She shook his hand vigorously. “My daughters, Marguerite and Susan. My son, John. You remember the captain, surely?”
Hands were shaken amid laughter and much talk.
Captain Wilder sniffed the air. “Is that gingerbread?”
“Will you have some?”
Everyone moved. Folding tables were hurried out while hot foods were rushed forth and plates and fine damask napkins and good silverware were laid. Captain Wilder stood looking first at Mrs. Hathaway and then at her son and her two tall, quiet-moving daughters. He looked into their faces as they darted past and he followed every move of their youthful hands and every expression of their wrinkleless faces. He sat upon a chair the son brought. “How old are you, John?”
The son replied, “Twenty-three.”
Wilder shifted his silverware clumsily. His face was suddenly pale. The man next to him whispered, “Captain Wilder, that can’t be right.”
The son moved away to bring more chairs.
“What’s that, Williamson?”
“I’m forty-three myself, Captain. I was in school the same time as young John Hathaway there, twenty years ago. He says he’s only twenty-three now; he only looks twenty-three. But that’s wrong. He should be forty-two, at least. What’s it mean, sir?”
“I don’t know.”
“You look kind of sick, sir.”
“I don’t feel well. The daughters, too, I saw them twenty years or so ago; they haven’t changed, not a wrinkle. Will you do me a favor? I want you to run an errand, Williamson. I’ll tell you where to go and what to check. Late in the breakfast, slip away. It should take you only ten minutes. The place isn’t far from here. I saw it from the rocket as we landed.”
“Here! What are you talking about so seriously?” Mrs. Hathaway ladled quick spoons of soup into their bowls. “Smile now; we’re all together, the trip’s over, and it’s like home!”
“Yes.” Captain Wilder laughed. “You certainly look very well and young Mrs. Hathaway!”
“Isn’t that like a man!”
He watched her drift away, drift with her pink face warm, smooth as an apple, unwrinkled and colorful. She chimed her laugh at every joke, she tossed salads neatly, never once pausing for breath. And the bony son and curved daughters were brilliantly witty, like their father, telling of the long years and their secret life, while their father nodded proudly to each.
Williamson slipped off down the hill.
“Where’s he going?” asked Hathaway.
“Checking the rocket,” said Wilder. “But, as I was saying, Hathaway, there’s nothing on Jupiter, nothing at all for men. That includes Saturn and Pluto.” Wilder talked mechanically, not hearing his words, thinking only of Williamson running down the hill and climbing back to tell what he had found.
“Thanks.” Marguerite Hathaway was filling his water glass. Impulsively he touched her arm. She did not even mind. Her flesh was warm and soft.
Hathaway, across the table, paused several times, touched his chest with his fingers, painfully, then went on listening to the murmuring talk and sudden loud chattering, glancing now and again with concern at Wilder, who did not seem to like chewing his gingerbread.
Williamson returned. He sat picking at his food until the captain whispered aside to him, “Well?”
“I found it, sir.”
“And?”
Williamson’s cheeks were white. He kept his eyes on the laughing people. The daughters were smiling gravely and the son was telling a joke. Williamson said, “I went into the graveyard.”
“The four crosses were there?”
“The four crosses were there, sir. The names were still on them. I wrote them down to be sure.” He read from a white paper: “Alice, Marguerite, Susan, and John Hathaway. Died of unknown virus. July 2007.”
“Thank you, Williamson.” Wilder closed his eyes.
“Nineteen years ago, sir,” Williamson’s hand trembled.
“Yes.”
“Then who are these!”
“I don’t know.”
“What are you going to do?”
“I don’t know that either.”
“Will we tell the other men?”
“Later. Go on with your food as if nothing happened.”
“I’m not very hungry now, sir.”
The meal ended with wine brought from the rocket. Hathaway arose. “A toast to all of you; it’s good to be with friends again. And to my wife and children, without whom I couldn’t have survived alone. It is only through their kindness in caring for me that I’ve lived on, waiting for your arrival.” He moved his wineglass toward his family, who looked back self-consciously, lowering their eyes at last as everyone drank.
Hathaway drank down his wine. He did not cry out as he fell forward onto the table and slipped to the ground. Several men eased him to rest. The doctor bent to him and listened. Wilder touched the doctor’s shoulder. The doctor looked up and shook his head. Wilder knelt and took the old man’s hand. “Wilder?” Hathaway’s voice was barely audible. “I spoiled the breakfast.”
“Nonsense.”
“Say good-by to Alice and the children for me.”
“Just a moment, I’ll call them.”
“No, no, don’t!” gasped Hathaway. “They wouldn’t understand. I wouldn’t want them to understand! Don’t!”
Wilder did not move.
Hathaway was dead.
Wilder waited for a long time. Then he arose and walked away from the stunned group around Hathaway. He went to Alice Hathaway, looked into her face, and said, “Do you know what has just happened?”
“Something about my husband?”
“He’s just passed away; his heart,” said Wilder, watching her.
“I’m sorry,” she said.
“How do you feel?” he asked.
“He didn’t want us to feel badly. He told us it would happen one day and he didn’t want us to cry. He didn’t teach us how, you know. He didn’t want us to know. He said it was the worst thing that could happen to a man to know how to be lonely and know how to be sad and then to cry. So we’re not to know what crying is, or being sad.”
Wilder glanced at her hands, the soft warm hands and the fine manicured nails and the tapered wrists. He saw her slender, smooth white neck and her intelligent eyes. Finally he said, “Mr. Hathaway did a fine job on you and your children.”
“He would have liked to hear you say that. He was so proud of us. After a while he even forgot that he had made us. At the end he loved and took us as his real wife and children. And, in a way, we are.”
“You gave him a good deal of comfort.”
“Yes, for years on end we sat and talked. He so much loved to talk. He liked the stone hut and the open fire. We could have lived in a regular house in the town, but he liked it up here, where he could be primitive if he liked, or modern if he liked. He told me all about his laboratory and the things he did in it. He wired the entire dead American town below with sound speakers. When he pressed a button the town lit up and made noises as if ten thousand people lived in it. There were airplane noises and car noises and the sounds of people talking. He would sit and light a cigar and talk to us, and the sounds of the town would come up to us, and once in awhile the phone would ring and a recorded voice would ask Mr. Hathaway scientific and surgical questions and he would answer them. With the phone ringing and us here and the sounds of the town and his cigar, Mr. Hathaway was quite happy. There’s only one thing he couldn’t make us do,” she said. “And that was to grow old. He got older every day, but we stayed the same. I guess he didn’t mind. I guess he wanted us this way.”
“We’ll bury him down in the yard where the other four crosses are. I think he would like that.”
She put her hand on his wrist, lightly. “I’m sure he would.”
Orders were given. The family followed the little procession down the hill. Two men carried Hathaway on a covered stretcher. They passed the stone hut and the storage shed where Hathaway, many years before, had begun his work. Wilder paused within the workshop door.
How would it be, he wondered, to live on a planet with a wife and three children and have them die, leaving you alone with the wind and silence? What would a person do? Bury them with crosses in the graveyard and then come back up to the workshop and, with all the power of mind and memory and accuracy of finger and genius, put together, bit by bit, all those things that were wife, son, daughter. With an entire American city below from which to draw needed supplies, a brilliant man might do anything.
The sound of their footsteps was muffled in the sand. At the graveyard, as they turned in, two men were already spading out the earth.
They returned to the rocket in the late afternoon.
Williamson nodded at the stone hut. “What are we going to do about them?”
“I don’t know,” said the captain.
“Are you going to turn them off?”
“Off?” The captain looked faintly surprised. “It never entered my mind.”
“You’re not taking them back with us?”
“No, it would be useless.”
“You mean you’re going to leave them here, like that, as they are!”
The captain handed Williamson a gun. “If you can do anything about this, you’re a better man than I.”
Five minutes later Williamson returned from the hut, sweating. “Here, take your gun. I understand what you mean now. I went in the hut with the gun. One of the daughters smiled at me. So did the others, The wife offered me a cup of tea. Lord, it’d be murder!”
Wilder nodded. “There’ll never be anything as fine as them again. They’re built to last; ten, fifty, two hundred years. Yes, they’ve as much right to—to life as you or I or any of us.” He knocked out his pipe. “Well, get aboard. We’re taking off. This city’s done for, we’ll not be using it.”
It was late in the day. A cold wind was rising. The men were aboard. The captain hesitated. Williamson said, “Don’t tell me you’re going back to say—good-by---to them?”
The captain looked at Williamson coldly. “None of your business.”
Wilder strode up toward the hut through the darkening wind. The men in the rocket saw his shadow lingering in the stone-hut doorway. They saw a woman’s shadow. They saw the captain shake her hand.
Moments later he came running back to the rocket.
On nights when the wind comes over the dead sea bottoms and through the hexagonal graveyard, over four old crosses and one new one, there is a light burning in the low stone hut, and in that hut, as the wind roars by and the dust whirls and the cold stars burn, are four figures, a woman, two daughters, a son, tending a low fire for no reason and talking and laughing.
Night after night for every year and every year, for no reason at all, the woman comes out and looks at the sky, her hands up, for a long moment, looking at the green burning of Earth, not knowing why she looks, and then she goes back and throws a stick on the fire, and the wind comes up and the dead sea goes on being dead.
In the living room the voice-clock sang, Tick-tock, seven o’clock, time to get up, time to get up, seven o’clock! as if it were afraid that nobody would. The morning house lay empty. The clock ticked on, repeating and repeating its sounds into the emptiness. Seven-nine, breakfast time, seven-nine!
In the kitchen the breakfast stove gave a hissing sigh and ejected from its warm interior eight pieces of perfectly browned toast, eight eggs sunnyside up, sixteen slices of bacon, two coffees, and two cool glasses of milk.
“Today is August 4, 2026,” said a second voice from the kitchen ceiling, “in the city of Allendale, California.” It repeated the date three times for memory’s sake. “Today is Mr. Featherstone’s birthday. Today is the anniversary of Tilita’s marriage. Insurance is payable, as are the water, gas, and light bills.”
Somewhere in the walls, relays clicked, memory tapes glided under electric eyes.
Eight-one, tick-tock, eight-one o’clock, off to school, off to work, run, run, eight-one! But no doors slammed, no carpets took the soft tread of rubber heels. It was raining outside. The weather box on the front door sang quietly: “Rain, rain, go away; rubbers, raincoats for today ... ” And the rain tapped on the empty house, echoing.
Outside, the garage chimed and lifted its door to reveal the waiting car. After a long wait the door swung down again.
At eight-thirty the eggs were shriveled and the toast was like stone. An aluminum wedge scraped them into the sink, where hot water whirled them down a metal throat which digested and flushed them away to the distant sea. The dirty dishes were dropped into a hot washer and emerged twinkling dry.
Nine-fifteen, sang the clock, time to clean.
Out of warrens in the wall, tiny robot mice darted. The rooms were acrawl with the small cleaning animals, all rubber and metal. They thudded against chairs, whirling their mustached runners, kneading the rug nap, sucking gently at hidden dust. Then, like mysterious invaders, they popped into their burrows. Their pink electric eyes faded. The house was clean.
Ten o’clock. The sun came out from behind the rain. The house stood alone in a city of rubble and ashes. This was the one house left standing. At night the ruined city gave off a radioactive glow which could be seen for miles.
Ten-fifteen. The garden sprinklers whirled up in golden founts, filling the soft morning air with scatterings of brightness, The water pelted windowpanes, running down the charred west side where the house had been burned evenly free of its white paint. The entire west face of the house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here, as in a photograph, a woman bent to pick flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air; higher up, the image of a thrown ball, and opposite him a girl, hands raised to catch a ball which never came down.
The five spots of paint—the man, the woman, the children, the ball—remained. The rest was a thin charcoaled layer.
The gentle sprinkler rain filled the garden with falling light.
Until this day, how well the house had kept its peace. How carefully it had inquired, “Who goes there? What’s the password?” and, getting no answer from lonely foxes and whining cats, it had shut up its windows and drawn shades in an old-maidenly preoccupation with self-protection which bordered on a mechanical paranoia.
It quivered at each sound, the house did. If a sparrow brushed a window, the shade snapped up. The bird, startled, flew off! No, not even a bird must touch the house!
The house was an altar with ten thousand attendants, big, small, servicing, attending, in choirs. But the gods had gone away, and the ritual of the religion continued senselessly, uselessly.
Twelve noon.
A dog whined, shivering, on the front porch.
The front door recognized the dog voice and opened. The dog, once huge and fleshy, but now gone to bone and covered with sores, moved in and through the house, tracking mud. Behind it whirred angry mice, angry at having to pick up mud, angry at inconvenience.
For not a leaf fragment blew under the door but what the wall panels flipped open and the copper scrap rats flashed swiftly out. The offending dust, hair, or paper, seized in miniature steel jaws, was raced back to the burrows. There, down tubes which fed into the cellar, it was dropped into the sighing vent of an incinerator which sat like evil Baal in a dark corner.
The dog ran upstairs, hysterically yelping to each door, at last realizing, as the house realized, that only silence was here.
It sniffed the air and scratched the kitchen door. Behind the door, the stove was making pancakes which filled the house with a rich baked odor and the scent of maple syrup.
The dog frothed at the mouth, lying at the door, sniffing, its eyes turned to fire. It ran wildly in circles, biting at its tail, spun in a frenzy, and died. It lay in the parlor for an hour.
Two o’clock, sang a voice.
Delicately sensing decay at last, the regiments of mice hummed out as softly as blown gray leaves in an electrical wind.
Two-fifteen.
The dog was gone.
In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney.
Two thirty-five.
Bridge tables sprouted from patio walls. Playing cards fluttered onto pads in a shower of pips. Martinis manifested on an oaken bench with egg-salad sandwiches. Music played.
But the tables were silent and the cards untouched.
At four o’clock the tables folded like great butterflies back through the paneled walls.
Four-thirty.
The nursery walls glowed.
Animals took shape: yellow giraffes, blue lions, pink antelopes, lilac panthers cavorting in crystal substance. The walls were glass. They looked out upon color and fantasy. Hidden films clocked through well-oiled sprockets, and the walls lived. The nursery floor was woven to resemble a crisp, cereal meadow. Over this ran aluminum roaches and iron crickets, and in the hot still air butterflies of delicate red tissue wavered among the sharp aroma of animal spoors! There was the sound like a great matted yellow hive of bees within a dark bellows, the lazy bumble of a purring lion. And there was the patter of okapi feet and the murmur of a fresh jungle rain, like other hoofs, falling upon the summer-starched grass. Now the walls dissolved into distances of parched weed, mile on mile, and warm endless sky. The animals drew away into thorn brakes and water holes.
It was the children’s hour.
Five o’clock. The bath filled with clear hot water.
Six, seven, eight o’clock. The dinner dishes manipulated like magic tricks, and in the study a click. In the metal stand opposite the hearth where a fire now blazed up warmly, a cigar popped out, half an inch of soft gray ash on it, smoking, waiting.
Nine o’clock. The beds warmed their hidden circuits, for nights were cool here.
Nine-five. A voice spoke from the study ceiling:
“Mrs. McClellan, which poem would you like this evening?”
The house was silent.
The voice said at last, “Since you express no preference, I shall select a poem at random.” Quiet music rose to back the voice. “Sara Teasdale. As I recall, your favorite ...
“_There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound;
And frogs in the pools singing at night,
And wild plum trees in tremulous white;
Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;
And not one will know of the war, not one
Will care at last when it is done.
Not one would mind, neither bird nor tree,
If mankind perished utterly;
And Spring herself, when she woke at dawn
Would scarcely know that we were gone_.”
The fire burned on the stone hearth and the cigar fell away into a mound of quiet ash on its tray. The empty chairs faced each other between the silent walls, and the music played.
At ten o’clock the house began to die.
The wind blew. A falling tree bough crashed through the kitchen window. Cleaning solvent, bottled, shattered over the stove. The room was ablaze in an instant!
“Fire!” screamed a voice. The house lights flashed, water pumps shot water from the ceilings. But the solvent spread on the linoleum, licking eating under the kitchen door, while the voices took it up in chorus: “Fire, fire, fire!”
The house tried to save itself. Doors sprang tightly shut, but the windows were broken by the heat and the wind blew and sucked upon the fire.
The house gave ground as the fire in ten billion angry sparks moved with flaming ease from room to room and then up the stairs. While scurrying water rats squeaked from the walls, pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain.
But too late. Somewhere, sighing, a pump shrugged to a stop. The quenching rain ceased. The reserve water supply which had filled baths and washed dishes for many quiet days was gone.
The fire crackled up the stairs. It fed upon Picassos and Matisses in the upper halls, like delicacies, baking off the oily flesh, tenderly crisping the canvases into black shavings.
Now the fire lay in beds, stood in windows, changed the colors of drapes!
And then, reinforcements.
From attic trapdoors, blind robot faces peered down with faucet mouths gushing green chemical.
The fire backed off, as even an elephant must at the sight of a dead snake. Now there were twenty snakes whipping over the floor, killing the fire with a clear cold venom of green froth.
But the fire was clever. It had sent flames outside the house, up through the attic to the pumps there. An explosion! The attic brain which directed the pumps was shattered into bronze shrapnel on the beams.
The fire rushed back into every closet and felt of the clothes hung there.
The house shuddered, oak bone on bone, its bared skeleton cringing from the heat, its wire, its nerves revealed as if a surgeon had torn the skin off to let the red veins and capillaries quiver in the scalded air. Help, help! Fire! Run, run! Heat snapped mirrors like the brittle winter ice. And the voices wailed Fire, fire, run, run, like a tragic nursery rhyme, a dozen voices, high, low, like children dying in a forest, alone, alone. And the voices fading as the wires popped their sheathings like hot chestnuts. One, two, three, four, five voices died.
In the nursery the jungle burned. Blue lions roared, purple giraffes bounded off. The panthers ran in circles, changing color, and ten million animals, running before the fire, vanished off toward a distant steaming river ...
Ten more voices died. In the last instant under the fire avalanche, other choruses, oblivious, could be heard announcing the time, playing music, cutting the lawn by remote-control mower, or setting an umbrella frantically out and in the slamming and opening front door, a thousand things happening, like a clock shop when each clock strikes the hour insanely before or after the other, a scene of maniac confusion, yet unity; singing, screaming, a few last cleaning mice darting bravely out to carry the horrid ashes away! And one voice, with sublime disregard for the situation, read poetry aloud in the fiery study, until all the film spools burned, until all the wires withered and the circuits cracked.
The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke.
In the kitchen, an instant before the rain of fire and timber, the stove could be seen making breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips, which, eaten by fire, started the stove working again, hysterically hissing!
The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a cluttered mound deep under.
Smoke and silence. A great quantity of smoke.
Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall, a last voice said, over and over again and again, even as the sun rose to shine upon the heaped rubble and steam:
“Today is August 5, 2026, today is August 5, 2026, today is ... ”
Somehow the idea was brought up by Mom that perhaps the whole family would enjoy a fishing trip. But they weren’t Mom’s words; Timothy knew that. They were Dad’s words, and Mom used them for him somehow.
Dad shuffled his feet in a clutter of Martian pebbles and agreed. So immediately there was a tumult and a shouting, and very quickly the camp was tucked into capsules and containers, Mom slipped into traveling jumpers and blouse, Dad stuffed his pipe full with trembling hands, his eyes on the Martian sky, and the three boys piled yelling into the motorboat, none of them really keeping an eye on Mom and Dad, except Timothy.
Dad pushed a stud. The water boat sent a humming sound up into the sky. The water shook back and the boat nosed ahead, and the family cried, “Hurrah!”
Timothy sat in the back of the boat with Dad, his small fingers atop Dad’s hairy ones, watching the canal twist, leaving the crumbled place behind where they had landed in their small family rocket all the way from Earth. He remembered the night before they left Earth, the hustling and hurrying the rocket that Dad had found somewhere, somehow, and the talk of a vacation on Mars. A long way to go for a vacation, but Timothy said nothing because of his younger brothers. They came to Mars and now, first thing, or so they said, they were going fishing.
Dad had a funny look in his eyes as the boat went up-canal. A look that Timothy couldn’t figure. It was made of strong light and maybe a sort of relief. It made the deep wrinkles laugh instead of worry or cry.
So there went the cooling rocket, around a bend, gone.
“How far are we going?” Robert splashed his hand. It looked like a small crab jumping in the violet water.
Dad exhaled. “A million years.”
“Gee,” said Robert.
“Look, kids.” Mother pointed one soft long arm. “There’s a dead city.”
They looked with fervent anticipation, and the dead city lay dead for them alone, drowsing in a hot silence of summer made on Mars by a Martian weatherman.
And Dad looked as if he was pleased that it was dead.
It was a futile spread of pink rocks sleeping on a rise of sand, a few tumbled pillars, one lonely shrine, and then the sweep of sand again. Nothing else for miles. A white desert around the canal and a blue desert over it.
Just then a bird flew up. Like a stone thrown across a blue pond, hitting, falling deep, and vanishing.
Dad got a frightened look when he saw it. “I thought it was a rocket.”
Timothy looked at the deep ocean sky, trying to see Earth and the war and the ruined cities and the men killing each other since the day he was born. But he saw nothing. The war was as removed and far off as two flies battling to the death in the arch of a great high and silent cathedral. And just as senseless.
William Thomas wiped his forehead and felt the touch of his son’s hand on his arm, like a young tarantula, thrilled. He beamed at his son. “How goes it, Timmy?”
“Fine, Dad.”
Timothy hadn’t quite figured out what was ticking inside the vast adult mechanism beside him. The man with the immense hawk nose, sunburnt, peeling—and the hot blue eyes like agate marbles you play with after school in summer back on Earth, and the long thick columnar legs in the loose riding breeches.
“What are you looking at so hard, Dad?”
“I was looking for Earthian logic, common sense, good government, peace, and responsibility.”
“All that up there?”
“No. I didn’t find it. It’s not there any more. Maybe it’ll never be there again. Maybe we fooled ourselves that it was ever there.”
“Huh?”
“See the fish,” said Dad, pointing.
There rose a soprano clamor from all three boys as they rocked the boat in arching their tender necks to see. They oohed and ahed. A silver ring fish floated by them, undulating, and closing like an iris, instantly, around food partides, to assimilate them.
Dad looked at it. His voice was deep and quiet.
“Just like war. War swims along, sees food, contracts. A moment later—Earth is gone.”
“William,” said Mom.
“Sorry,” said Dad.
They sat still and felt the canal water rush cool, swift, and glassy. The only sound was the motor hum, the glide of water, the sun expanding the air.
“When do we see the Martians?” cried Michael.
“Quite soon, perhaps,” said Father. “Maybe tonight.”
“Oh, but the Martians are a dead race now,” said Mom.
“No, they’re not. I’ll show you some Martians, all right,” Dad said presently.
Timothy scowled at that but said nothing. Everything was odd now. Vacations and fishing and looks between people.
The other boys were already engaged making shelves of their small hands and peering under them toward the seven-foot stone banks of the canal, watching for Martians.
“What do they look like?” demanded Michael.
“You’ll know them when you see them.” Dad sort of laughed, and Timothy saw a pulse beating time in his cheek.
Mother was slender and soft, with a woven plait of spungold hair over her head in a tiara, and eyes the color of the deep cool canal water where it ran in shadow, almost purple, with flecks of amber caught in it. You could see her thoughts swimming around in her eyes, like fish—some bright, some dark, some fast, quick, some slow and easy, and sometimes, like when she looked up where Earth was, being nothing but color and nothing else. She sat in the boat’s prow, one hand resting on the side lip, the other on the lap of her dark blue breeches, and a line of sunburnt soft neck showing where her blouse opened like a white flower.
She kept looking ahead to see what was there, and, not being able to see it clearly enough, she looked backward toward her husband, and through his eyes, reflected then, she saw what was ahead; and since he added part of himself to this reflection, a determined firmness, her face relaxed and she accepted it and she turned back, knowing suddenly what to look for.
Timothy looked too. But all he saw was a straight pencil line of canal going violet through a wide shallow valley penned by low, eroded hills, and on until it fell over the sky’s edge. And this canal went on and on, through cities that would have rattled like beetles in a dry skull if you shook them. A hundred or two hundred cities dreaming hot summer-day dreams and cool summer-night dreams ...
They had come millions of miles for this outing—to fish. But there had been a gun on the rocket. This was a vacation. But why all the food, more than enough to last them years and years, left hidden back there near the rocket? Vacation. Just behind the veil of the vacation was not a soft face of laughter, but something hard and bony and perhaps terrifying. Timothy could not lift the veil, and the two other boys were busy being ten and eight years old, respectively.
“No Martians yet. Nuts.” Robert put his V-shaped chin on his hands and glared at the canal.
Dad had brought an atomic radio along, strapped to his wrist. It functioned on an old-fashioned principle: you held it against the bones near your ear and it vibrated singing or talking to you. Dad listened to it now. His face looked like one of those fallen Martian cities, caved in, sucked. dry, almost dead.
Then he gave it to Mom to listen. Her lips dropped open.
“What—“ Timothy started to question, but never finished what he wished to say.
For at that moment there were two titanic, marrow-jolting explosions that grew upon themselves, followed by a half dozen minor concussions.
Jerking his head up, Dad notched the boat speed higher immediately. The boat leaped and jounced and spanked. This shook Robert out of his funk and elicited yelps of frightened but esctatic joy from Michael, who clung to Mom’s legs and watched the water pour by his nose in a wet torrent.
Dad swerved the boat, cut speed, and ducked the craft into a little branch canal and under an ancient, crumbling stone wharf that smelled of crab flesh. The boat rammed the wharf hard enough to throw them all forward, but no one was hurt, and Dad was already twisted to see if the ripples on the canal were enough to map their route into hiding. Water lines went across, lapped the stones, and rippled back to meet each other, settling, to be dappled by the sun. It all went away.
Dad listened. So did everybody.
Dad’s breathing echoed like fists beating against the cold wet wharf stones. In the shadow, Mom’s cat eyes just watched Father for some clue to what next.
Dad relaxed and blew out a breath, laughing at himself.
“The rocket, of course. I’m getting jumpy. The rocket.”
Michael said, “What happened, Dad, what happened?”
“Oh, we just blew up our rocket, is all,” said Timothy, trying to sound matter-of-fact. “I’ve heard rockets blown up before. Ours just blew.”
“Why did we blow up our rocket?” asked Michael. “Huh, Dad?”
“It’s part of the game, silly!” said Timothy.
“A game!” Michael and Robert loved the word.
“Dad fixed it so it would blow up and no one’d know where we landed or went! In case they ever came looking, see?”
“Oh boy, a secret!”
“Scared by my own rocket,” admitted Dad to Mom. “I am nervous. It’s silly to think there’ll ever be any more rockets. Except one, perhaps, if Edwards and his wife get through with their ship.”
He put his tiny radio to his ear again. After two minutes he dropped his hand as you would drop a rag.
“It’s over at last,” he said to Mom. “The radio just went off the atomic beam. Every other world station’s gone. They dwindled down to a couple in the last few years. Now the air’s completely silent. It’ll probably remain silent.”
“For how long?” asked Robert.
“Maybe—your great-grandchildren will hear it again,” said Dad. He just sat there, and the children were caught in the center of his awe and defeat and resignation and acceptance.
Finally he put the boat out into the canal again, and they continued in the direction in which they had originally started.
It was getting late. Already the sun was down the sky, and a series of dead cities lay ahead of them.
Dad talked very quietly and gently to his sons. Many times in the past he had been brisk, distant, removed from them, but now he patted them on the head with just a word and they felt it.
“Mike, pick a city.”
“What, Dad?”
“Pick a city, Son. Any one of these cities we pass.”
“All right,” said Michael. “How do I pick?”
“Pick the one you like the most. You, too, Robert and Tim. Pick the city you like best.”
“I want a city with Martians in it,” said Michael.
“You’ll have that,” said Dad. “I promise.” His lips were for the children, but his eyes were for Mom.
They passed six cities in twenty minutes. Dad didn’t say anything more about the explosions; he seemed much more interested in having fun with his sons, keeping them happy, than anything else.
Michael liked the first city they passed, but this was vetoed because everyone doubted quick first judgments. The second city nobody liked. It was an Earth Man’s settlement, built of wood and already rotting into sawdust. Timothy liked the third city because it was large. The fourth and fifth were too small and the sixth brought acclaim from everyone, including Mother, who joined in the Gees, Goshes, and Look-at-thats!
There were fifty or sixty huge structures still standing, streets were dusty but paved, and you could see one or two old centrifugal fountains still pulsing wetly in the plazas. That was the only life—water leaping in the late sunlight.
“This is the city,” said everybody.
Steering the boat to a wharf, Dad jumped out.
“Here we are. This is ours. This is where we live from now on!”
“From now on?” Michael was incredulous. He stood up, looking, and then turned to blink back at where the rocket used to be. “What about the rocket? What about Minnesota?”
“Here,” said Dad.
He touched the small radio to Michael’s blond head. “Listen.”
Michael listened.
“Nothing,” he said.
“That’s right. Nothing. Nothing at all any more. No more Minneapolis, no more rockets, no more Earth.”
Michael considered the lethal revelation and began to sob little dry sobs.
“Wait a moment,” said Dad the next instant. “I’m giving you a lot more in exchange, Mike!”
“What?” Michael held off the tears, curious, but quite ready to continue in case Dad’s further revelation was as disconcerting as the original.
“I’m giving you this city, Mike. It’s yours.”
“Mine?”
“For you and Robert and Timothy, all three of you, to own for yourselves.”
Timothy bounded from the boat “Look, guys, all for us! All of that!” He was playing the game with Dad, playing it large and playing it well. Later, after it was all over and things had settled, he could go off by himself and cry for ten minutes. But now it was still a game, still a family outing, and the other kids must be kept playing.
Mike jumped out with Robert. They helped Mom.
“Be careful of your sister,” said Dad, and nobody knew what he meant until later.
They hurried into the great pink-stoned city, whispering among themselves, because dead cities have a way of making you want to whisper, to watch the sun go down.
“In about five days,” said Dad quietly, “I’ll go back down to where our rocket was and collect the food hidden in the ruins there and bring it here; and I’ll hunt for Bert Edwards and his wife and daughters there.”
“Daughters?” asked Timothy. “How many?”
“Four.”
“I can see that’ll cause trouble later.” Mom nodded slowly.
“Girls.” Michael made a face like an ancient Martian stone image. “Girls.”
“Are they coming in a rocket too?”
“Yes. If they make it. Family rockets are made for travel to the Moon, not Mars. We were lucky we got through.”
“Where did you get the rocket?” whispered Timothy, for the other boys were running ahead.
“I saved it. I saved it for twenty years, Tim. I had it hidden away, hoping I’d never have to use it. I suppose I should have given it to the government for the war, but I kept thinking about Mars ...”
“And a picnic!”
“Right. This is between you and me. When I saw everything was finishing on Earth, after I’d waited until the last moment, I packed us up. Bert Edwards had a ship hidden, too, but we decided it would be safer to take off separately, in case anyone tried to shoot us down.”
“Why’d you blow up the rocket, Dad?”
“So we can’t go back, ever. And so if any of those evil men ever come to Mars they won’t know we’re here.”
“Is that why you look up all the time?”
“Yes, it’s silly. They won’t follow us, ever. They haven’t anything to follow with. I’m being too careful, is all.”
Michael came running back. “Is this really our city, Dad?”
“The whole darn planet belongs to us, kids. The whole darn planet.”
They stood there, King of the Hill, Top of the Heap, Ruler of All They Surveyed, Unimpeachable Monarchs and Presidents, trying to understand what it meant to own a world and how big a world really was.
Night came quickly in the thin atmosphere, and Dad left them in the square by the pulsing fountain, went down to the boat, and came walking back carrying a stack of paper in his big hands.
He laid the papers in a clutter in an old courtyard and set them afire. To keep warm, they crouched around the blaze and laughed, and Timothy saw the little letters leap like frightened animals when the flames touched and engulfed them. The papers crinkled like an old man’s skin, and the cremation surrounded innumerable words:
“GOVERNMENT BONDS; Business Graph, 1999; Religious Prejudice: An Essay; The Science of Logistics; Problems of the Pan-American Unity; Stock Report for July 3, 1998; The War Digest ... ”
Dad had insisted on bringing these papers for this purpose. He sat there and fed them into the fire, one by one, with satisfaction, and told his children what it all meant.
“It’s time I told you a few things. I don’t suppose it was fair, keeping so much from you. I don’t know if you’ll understand, but I have to talk, even if only part of it gets over to you.”
He dropped a leaf in the fire.
“I’m burning a way of life, just like that way of life is being burned clean of Earth right now. Forgive me if I talk like a politician. I am, after all, a former state governor, and I was honest and they hated me for it. Life on Earth never settled down to doing anything very good. Science ran too far ahead of us too quickly, and the people got lost in a mechanical wilderness, like children making over pretty things, gadgets, helicopters, rockets; emphasizing the wrong items, emphasizing machines instead of how to run the machines. Wars got bigger and bigger and finally killed Earth. That’s what the silent radio means. That’s what we ran away from.
“We were lucky. There aren’t any more rockets left. It’s time you knew this isn’t a fishing trip at all. I put off telling you. Earth is gone. Interplanetary travel won’t be back for centuries, maybe never. But that way of life proved itself wrong and strangled itself with its own hands. You’re young. I’ll tell you this again every day until it sinks in.”
He paused to feed more papers to the fire.
“Now we’re alone. We and a handful of others who’ll land in a few days. Enough to start over. Enough to turn away from all that back on Earth and strike out on a new line—“
The fire leaped up to emphasize his talking. And then all the papers were gone except one. All the laws and beliefs of Earth were burnt into small hot ashes which soon would be carried off inawind.
Timothy looked at the last thing that Dad tossed in the fire. It was a map of the World, and it wrinkled and distorted itself hotly and went—flimpf—and was gone like a warm, black butterfly. Timothy turned away.
“Now I’m going to show you the Martians,” said Dad. “Come on, all of you. Here, Alice.” He took her hand.
Michael was crying loudly, and Dad picked him up and carried him, and they walked down through the ruins toward the canal.
The canal. Where tomorrow or the next day their future wives would come up in a boat, small laughing girls now, with their father and mother.
The night came down around them, and there were stars. But Timothy couldn’t find Earth. It had already set. That was something to think about.
A night bird called among the ruins as they walked. Dad said, “Your mother and I will try to teach you. Perhaps we’ll fail. I hope not. We’ve had a good lot to see and learn from. We planned this trip years ago, before you were born. Even if there hadn’t been a war we would have come to Mars, I think, to live and form our own standard of living. It would have been another century before Mars would have been really poisoned by the Earth civilization. Now, of course—“
They reached the canal. It was long and straight and cool and wet and reflective in the night.
“I’ve always wanted to see a Martian,” said Michael. “Where are they, Dad? You promised.”
“There they are,” said Dad, and he shifted Michael on his shoulder and pointed straight down.
The Martians were there. Timothy began to shiver.
The Martians were there—in the canal—reflected in the water. Timothy and Michael and Robert and Mom and Dad.
The Martians stared back up at them for a long, long silent time from the rippling water ...
RAY BRADBURY was born in Waukegan, Illinois, in 1920. He graduated from a Los Angeles high school in 1938. His formal education ended there, but he furthered it by himself—at night in the library and by day at his typewriter. He sold newspapers on Los Angeles street corners from 1938 to 1942, a modest beginning for a man whose name would one day be synonymous with the best in science fiction. Ray Bradbury sold his first science fiction short story in 1941, and his early reputation is based on stories published in the budding science fiction magazines of that time. His work was chosen for best American short story collections in 1946, 1948 and 1952. His awards include The O. Henry Memorial Award, the Benjamin Franklin Award in 1954 and The Aviation-Space Writer’s Association Award for best space article in an American magazine in 1967. Mr. Bradbury has written for television, radio, the theater and film, and he has been published in every major American magazine. Editions of his novels and shorter fiction span several continents and languages, and he has gained worldwide acceptance for his work. His titles include The Martian Chronicles, Fahrenheit 451, Dandelion Wine, Something Wicked This Way Comes, I Sing the Body Electric, The Golden Apples of the Sun, A Medicine for Melancholy, The Illustrated Man, Long After Midnight, The Stories of Ray Bradbury, Dinosaur Tales and The Toynbee Convector.